Av. Sena Akparlak<\/p>\n\n\n\n
Osmanl\u0131\u2019n\u0131n son y\u0131llar\u0131nda ge\u00e7en bir k\u00f6y\u00fcn hik\u00e2yesi\u2026 Zorunlu askerlikle yerinden edilen erkekler, bo\u015falan evler, kad\u0131nlar\u0131n ve \u00e7ocuklar\u0131n sessiz ama derin \u00e7\u0131\u011fl\u0131\u011f\u0131\u2026 Ve bu \u00e7\u0131\u011fl\u0131\u011f\u0131n ortas\u0131nda y\u00fckselen bir ses: Feyruz. \u201cSeferberlik\u201d filmi, yaln\u0131zca bir d\u00f6nem anlat\u0131s\u0131 de\u011fil; ayn\u0131 zamanda halklar\u0131n onuru, direni\u015fi ve ba\u011f\u0131ms\u0131zl\u0131k arzusu i\u00e7in yak\u0131lm\u0131\u015f bir a\u011f\u0131tt\u0131r. Bu yaz\u0131da, bu sinematografik ba\u015fyap\u0131t \u00fczerinden ge\u00e7mi\u015fle bug\u00fcn aras\u0131nda bir direni\u015f k\u00f6pr\u00fcs\u00fc kuruyoruz.<\/p>\n\n\n\n
Henry Barakat y\u00f6netmenli\u011finde 1967\u2019de beyaz perdeye aktar\u0131lan Seferberlik, L\u00fcbnanl\u0131 efsanevi sanat\u00e7\u0131 Feyruz\u2019un hem oyunculuk hem de ses performans\u0131yla halk\u0131n ortak belle\u011fine kaz\u0131nan bir anlat\u0131. Film, Osmanl\u0131 \u0130mparatorlu\u011fu\u2019nun I. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda uygulad\u0131\u011f\u0131 zorunlu askerlik sisteminin, L\u00fcbnan\u2019\u0131n da i\u00e7inde bulundu\u011fu Arap co\u011frafyas\u0131ndaki etkilerini konu al\u0131r. Erkeklerin cepheye s\u00fcr\u00fclmesiyle geride kalan k\u00f6y halk\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 ac\u0131lar, k\u0131tl\u0131k, korku ve \u00e7aresizlik; Feyruz\u2019un canland\u0131rd\u0131\u011f\u0131 karakterin ki\u015fisel trajedisiyle birle\u015ferek bir isyan\u0131n k\u0131v\u0131lc\u0131m\u0131na d\u00f6n\u00fc\u015f\u00fcr.<\/p>\n\n\n\n
Bu yaln\u0131zca erkeklerin sava\u015f\u0131 de\u011fildir; kad\u0131nlar da direnir. Feyruz\u2019un karakteri, teslim olmak yerine, erkeklerin yerine silaha sar\u0131l\u0131r. Seferberli\u011fin anlams\u0131zl\u0131\u011f\u0131na, i\u015fgalin adaletsizli\u011fine, zorbal\u0131\u011f\u0131n ve tahakk\u00fcm\u00fcn dayatmalar\u0131na kar\u015f\u0131 aya\u011fa kalkar. Bu, sadece bir bireyin ba\u015fkald\u0131r\u0131s\u0131 de\u011fil, halk\u0131n kolektif bilincinde b\u00fcy\u00fcyen bir isyan\u0131n sembol\u00fcd\u00fcr.<\/p>\n\n\n\n
Bug\u00fcn, Ortado\u011fu\u2019nun kalbinde Suriye halk\u0131 emperyalist \u00e7\u0131karlar u\u011fruna par\u00e7alanm\u0131\u015f, halk\u0131 yerinden edilmi\u015f, \u015fehirleri enkaza \u00e7evrilmi\u015f bir co\u011frafyada ya\u015fam m\u00fccadelesi veriyor. Bir yanda Bat\u0131l\u0131 g\u00fc\u00e7lerin \u00e7\u0131kar hesaplar\u0131, di\u011fer yanda b\u00f6lgesel akt\u00f6rlerin m\u00fcdahaleleri\u2026 Bu kaosun ortas\u0131nda, halk\u0131n iradesi, \u00f6zg\u00fcrl\u00fck arzusu ve direni\u015f ruhu yeniden hayat bulmak zorunda.<\/p>\n\n\n\n
\u0130\u015fte Seferberlik, bu ba\u011flamda sadece ge\u00e7mi\u015fin de\u011fil, bug\u00fcn\u00fcn ve gelece\u011fin de filmidir. Feyruz\u2019un beyaz perdede y\u00fckselen sesi, halklar\u0131n ezilmesine, k\u00fclt\u00fcrlerinin silinmesine, iradelerinin hi\u00e7e say\u0131lmas\u0131na kar\u015f\u0131 bir \u00e7\u0131\u011fl\u0131kt\u0131r. T\u0131pk\u0131 bug\u00fcn Suriye halk\u0131n\u0131n ya\u015fad\u0131\u011f\u0131 gibi, bir zamanlar Osmanl\u0131 b\u00fcrokrasisinin alt\u0131nda ezilen halklar da ayn\u0131 ac\u0131y\u0131 ya\u015fam\u0131\u015f, ayn\u0131 sorular\u0131 sormu\u015ftur: \u201cBu sava\u015f kimin i\u00e7in? Bu y\u0131k\u0131m ne u\u011fruna?\u201d<\/p>\n\n\n\n
Seferberlik’ten Bug\u00fcne: Suriye’nin Bitmeyen Yaln\u0131zl\u0131\u011f\u0131 Ancak yine de direni\u015f s\u00fcr\u00fcyor. T\u0131pk\u0131 Feyruz\u2019un sesi gibi, Suriyeli sanat\u00e7\u0131lar da m\u00fczikle, tiyatroyla, sinemayla, sokak duvarlar\u0131na yaz\u0131lm\u0131\u015f \u015fiirlerle direniyor. \u00c7\u00fcnk\u00fc halklar\u0131n en b\u00fcy\u00fck g\u00fcc\u00fc, sadece silah de\u011fil, k\u00fclt\u00fcrel haf\u0131zad\u0131r. Ve bu haf\u0131za, bir g\u00fcn yeniden aya\u011fa kalkmak i\u00e7in bekler.<\/p>\n\n\n\n Filmin belki de en g\u00fc\u00e7l\u00fc yan\u0131, direni\u015fi yaln\u0131zca silahl\u0131 m\u00fccadeleyle de\u011fil, kad\u0131nlar\u0131n g\u00fcnl\u00fck hayat m\u00fccadelesiyle anlatmas\u0131d\u0131r. Feyruz\u2019un karakteri, halk\u0131n\u0131n onurunu korumak i\u00e7in kendi bedenini, evini, tarlas\u0131n\u0131 siper eder. Bug\u00fcn de sava\u015flardan en \u00e7ok etkilenen kad\u0131nlar, ayn\u0131 zamanda direni\u015fin g\u00f6r\u00fcnmeyen kahramanlar\u0131d\u0131r. Bu bak\u0131mdan Seferberlik, feminist bir direni\u015fin de sinemasal anlat\u0131s\u0131d\u0131r. <\/p>\n\n\n\n Bu film, yaln\u0131zca bir d\u00f6nem dram\u0131 de\u011fil; L\u00fcbnan\u2019\u0131n, Suriye\u2019nin, Filistin\u2019in ve genel olarak Arap d\u00fcnyas\u0131n\u0131n k\u00fclt\u00fcrel belle\u011fine kaz\u0131nm\u0131\u015f bir \u00f6zg\u00fcrl\u00fck mar\u015f\u0131d\u0131r. Feyruz\u2019un sahneleri, \u015fark\u0131lar\u0131 ve oyunculu\u011fu arac\u0131l\u0131\u011f\u0131yla film, kolektif bir a\u011f\u0131t oldu\u011fu kadar, bir umut \u00e7a\u011fr\u0131s\u0131d\u0131r da. Bug\u00fcn emperyalizme kar\u015f\u0131 halklar\u0131n ortak sesi h\u00e2l\u00e2 susturulmak isteniyorsa, bu t\u00fcr eserler yeniden hat\u0131rlanmal\u0131, izlenmeli ve tart\u0131\u015f\u0131lmal\u0131d\u0131r.<\/p>\n\n\n\n Feyruz\u2019un bu filmdeki rol\u00fc, yaln\u0131zca bir karakteri canland\u0131rmak de\u011fil; L\u00fcbnan halk\u0131n\u0131n ac\u0131s\u0131n\u0131, \u00f6zlemini ve direni\u015fini temsil etmektir. Onun sesi, sadece \u015fark\u0131larda de\u011fil, bir halk\u0131n y\u00fcz y\u0131ll\u0131k dram\u0131nda yank\u0131lanan bir \u00e7a\u011fr\u0131d\u0131r: \u201cS\u00f6m\u00fcrgeye, zorbal\u0131\u011fa ve suskunlu\u011fa kar\u015f\u0131 halk\u0131n vicdan\u0131 uyan\u0131yor.\u201d<\/strong><\/p>\n\n\n\n Bug\u00fcn, ayn\u0131 co\u011frafyada \u2013 \u00f6zellikle de Suriye\u2019de \u2013 benzer bir ac\u0131 h\u00e2l\u00e2 s\u00fcr\u00fcyor. Ancak bu defa kar\u015f\u0131m\u0131zda emperyalizmin yeni bi\u00e7imleri, vekalet sava\u015flar\u0131 ve i\u00e7 \u00e7at\u0131\u015fmalar var. Ama halk\u0131n \u00e7ekti\u011fi \u00e7ile, yine ayn\u0131. Yine evlerinden edilenler, \u00e7ocuklar\u0131n\u0131 kaybeden anneler, gelece\u011fini yitiren gen\u00e7ler var.<\/p>\n\n\n\n Seferberlik, bize \u015funu hat\u0131rlat\u0131yor: Halklar\u0131n ger\u00e7ek d\u00fc\u015fman\u0131, yaln\u0131zca tankla t\u00fcfekle gelmez. K\u00fclt\u00fcrel i\u015fgal, tarih\u00ee \u00e7arp\u0131tmalar ve kimlik silinmesi de ayn\u0131 derecede y\u0131k\u0131c\u0131d\u0131r. Feyruz\u2019un direni\u015fi, bir k\u00f6y\u00fcn kaderini de\u011fi\u015ftirdi\u011fi gibi, bug\u00fcn\u00fcn halklar\u0131na da bir \u00e7a\u011fr\u0131d\u0131r: Teslim olma, hat\u0131rla ve aya\u011fa kalk!<\/p>\n","protected":false},"excerpt":{"rendered":" Halklar\u0131n ger\u00e7ek d\u00fc\u015fman\u0131, yaln\u0131zca tankla t\u00fcfekle gelmez. K\u00fclt\u00fcrel i\u015fgal, tarih\u00ee \u00e7arp\u0131tmalar ve kimlik silinmesi de ayn\u0131 derecede y\u0131k\u0131c\u0131d\u0131r. Feyruz\u2019un direni\u015fi, bir k\u00f6y\u00fcn kaderini de\u011fi\u015ftirdi\u011fi gibi, bug\u00fcn\u00fcn halklar\u0131na da bir \u00e7a\u011fr\u0131d\u0131r: Teslim olma, hat\u0131rla ve aya\u011fa kalk!<\/p>\n","protected":false},"author":1,"featured_media":1020,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1019","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kultur"},"yoast_head":"\n
<\/strong>
Seferberlik, ge\u00e7mi\u015fte ya\u015fanm\u0131\u015f bir trajediyi anlat\u0131rken, asl\u0131nda bug\u00fcn\u00fcn Suriye\u2019sine ayna tutuyor. Sava\u015f\u0131n g\u00f6r\u00fcn\u00fc\u015f\u00fc de\u011fi\u015fmi\u015f olsa da; emperyalizmin izleri, halk\u0131n ac\u0131s\u0131 ve k\u00fclt\u00fcrel y\u0131k\u0131m benzer. T\u0131pk\u0131 filmde oldu\u011fu gibi, Suriye halk\u0131 da d\u0131\u015f m\u00fcdahalelerle, kendi kaderine h\u00fckmedememenin ac\u0131s\u0131yla ba\u015f ba\u015fa b\u0131rak\u0131ld\u0131.<\/p>\n\n\n\nKad\u0131nlar Hep En \u00d6n Cephede<\/h1>\n\n\n\n
Bir K\u00fclt\u00fcrel Miras Olarak Seferberlik<\/h1>\n\n\n\n
Sonu\u00e7: Sanat Direni\u015ftir<\/h1>\n\n\n\n