{"id":1125,"date":"2025-11-17T12:08:01","date_gmt":"2025-11-17T12:08:01","guid":{"rendered":"https:\/\/ehlendergisi.com\/?p=1125"},"modified":"2025-11-17T12:08:03","modified_gmt":"2025-11-17T12:08:03","slug":"araftakilere-giden-yol-gazi-ismailogullari-ile-roportaj","status":"publish","type":"post","link":"https:\/\/ehlendergisi.com\/index.php\/2025\/11\/17\/araftakilere-giden-yol-gazi-ismailogullari-ile-roportaj\/","title":{"rendered":"Araftakiler\u2019e Giden Yol: Gazi \u0130smailo\u011fullar\u0131 ile R\u00f6portaj"},"content":{"rendered":"\n

\u00c7anakkale 18 Mart \u00dcniversitesi Tarih B\u00f6l\u00fcm\u00fc\u2019nden mezun olan, y\u00fcksek lisans\u0131n\u0131 Mustafa Kemal \u00dcniversitesi\u2019nde tamamlayan Gazi \u0130smailo\u011fullar\u0131, akademik birikimini sinema sanat\u0131yla bulu\u015fturan bir isim. 2016\u2019da Semir Aslany\u00fcrek\u2019in\u00a0Kaos\u00a0filmiyle oyuncu olarak sinemaya ad\u0131m atan \u0130smailo\u011fullar\u0131, 2023\u2019ten itibaren y\u00f6netmenlik \u00e7al\u0131\u015fmalar\u0131na yo\u011funla\u015ft\u0131.\u00a0Suyun Ayak \u0130zleri\u00a0(2023),\u00a0Kay\u0131p\u00a0(2024) ve\u00a0Bir Nehir Gibi\u00a0(2024) adl\u0131 k\u0131sa filmleriyle dikkat \u00e7eken y\u00f6netmen, \u015fu s\u0131ralar T\u00fcrkiye\u2019deki Arap Alevilerinin kimlik m\u00fccadelesini konu alan uzun metraj belgeseli\u00a0Araftakiler\u00a0\u00fczerinde \u00e7al\u0131\u015f\u0131yor.<\/em><\/p>\n\n\n\n

Neden \u201cAraftakiler\u201d?<\/em><\/strong><\/p>\n\n\n\n

Ehlen: Bu ismi se\u00e7erken yaln\u0131zca bir az\u0131nl\u0131\u011f\u0131n de\u011fil, \u201cs\u0131n\u0131rlar, sava\u015flar ve \u00f6n yarg\u0131lar aras\u0131nda s\u0131k\u0131\u015fm\u0131\u015f t\u00fcm \u00f6tekilerin\u201d hik\u00e2yesine ayna tutmay\u0131 m\u0131 ama\u00e7lad\u0131n\u0131z? \u201cAraftakiler\u201d hem ki\u015fisel travmalara hem de devletin resmi kimlik politikalar\u0131na da odaklan\u0131yor. Siz neden b\u00f6yle bir belgesel yapmaya karar verdiniz?<\/strong><\/p>\n\n\n\n

G.\u0130.: \u201cAraftakiler\u201d ismini se\u00e7memizin nedeni, Arap Alevilerin y\u00fcz y\u0131ld\u0131r T\u00fcrkiye Cumhuriyeti\u2019nin resmi politikalar\u0131 kar\u015f\u0131s\u0131nda tam da bu konumda tutulmas\u0131. Ne tamamen yok say\u0131lan ne de e\u015fit yurtta\u015f olarak kabul edilen bir topluluk\u2026 Hep arada, hep \u201c\u015f\u00fcpheli\u201d, hep \u201csorunlu\u201d. Bu, yaln\u0131zca bir toplulu\u011fun de\u011fil, ulus-devletin kuruldu\u011fu g\u00fcnden bug\u00fcne \u201ctek tip yurtta\u015f\u201d yaratma siyasetinin sonucudur. Belgeselimizin misyonu \u015fudur: Devletin kurucu ideolojisinin, kimlikleri eritmeye d\u00f6n\u00fck politikalar\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmak. \u0130zleyicinin akl\u0131nda kalmas\u0131n\u0131 istedi\u011fimiz c\u00fcmle ise: \u201cArafta b\u0131rak\u0131lanlar\u0131n hik\u00e2yesi, asl\u0131nda bu rejimin aynas\u0131d\u0131r.\u201d<\/p>\n\n\n\n

Ben Arap Aleviyim ve bu kimlikle b\u00fcy\u00fcd\u00fcm. \u00d6zellikle \u00fcniversite y\u0131llar\u0131 ile farkl\u0131 olman\u0131n ne demek oldu\u011funu hep hissettim. Bazen sessizlikle, bazen k\u00fc\u00e7\u00fcmseyici s\u00f6zlerle, bazen de alenen ayr\u0131mc\u0131 tav\u0131rlarla kar\u015f\u0131la\u015ft\u0131m. Suriye\u2019de sava\u015f ba\u015flad\u0131\u011f\u0131nda bu his daha da a\u011f\u0131rla\u015ft\u0131. \u00c7\u00fcnk\u00fc bir yandan akrabalar\u0131n\u0131z\u0131n \u00f6ld\u00fcr\u00fcld\u00fc\u011f\u00fc haberlerini al\u0131yor, di\u011fer yandan kendi \u00fclkenizde \u201cEsad art\u0131\u011f\u0131\u201d diye yaftalan\u0131yorsunuz. Yani sava\u015f\u0131n g\u00f6lgesi sadece s\u0131n\u0131r\u0131n \u00f6tesinde de\u011fildi, bizim mahallemize de d\u00fc\u015fm\u00fc\u015ft\u00fc.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

O noktada \u015funu fark ettim: Bu hik\u00e2yeyi kayda ge\u00e7irmek bir tercih de\u011fil, bir zorunluluktu. \u00c7\u00fcnk\u00fc Arap Alevilerin ya\u015fad\u0131\u011f\u0131 bu \u00e7ifte bask\u0131, asl\u0131nda T\u00fcrkiye\u2019deki kimlik siyasetinin en \u00e7\u0131plak haliydi. Bizim hik\u00e2yemiz sadece bizim de\u011fil, bu topraklarda farkl\u0131 oldu\u011fu i\u00e7in \u00f6tekile\u015ftirilen herkesin hik\u00e2yesi. Bu nedenle \u201cAraftakiler\u201di \u00e7ektim. Belgesel hem kendi kimli\u011fime tan\u0131kl\u0131k hem de sistemin \u00fcretti\u011fi d\u0131\u015flama bi\u00e7imlerine kar\u015f\u0131 bir haf\u0131za \u00e7al\u0131\u015fmas\u0131.<\/p>\n\n\n\n

Suriye\u2019deki S\u00f6ylem, T\u00fcrkiye\u2019deki Yara<\/em><\/strong><\/p>\n\n\n\n

Ehlen: Suriye\u2019de y\u0131llard\u0131r dola\u015f\u0131mda olan \u201cAlevi\/Nusayri diktat\u00f6rl\u00fc\u011f\u00fc\u201d s\u00f6ylemi, T\u00fcrkiye\u2019de Arap Alevilere \u201cEsad art\u0131\u011f\u0131\u201d yaftalar\u0131 olarak nas\u0131l sirayet etti? Belgesel, bu dezenformasyon\u2013travma d\u00f6ng\u00fcs\u00fcn\u00fc nerede k\u0131rmay\u0131 hedefliyor; hangi tan\u0131kl\u0131k ya da ar\u015fiv kesiti en sert y\u00fczle\u015fmeyi sa\u011fl\u0131yor?<\/strong><\/p>\n\n\n\n

G.\u0130.: Suriye\u2019de \u201cAlevi diktat\u00f6rl\u00fc\u011f\u00fc\u201d s\u00f6ylemi uluslararas\u0131 g\u00fc\u00e7lerin de i\u015fine geldi; emperyalist \u00e7\u0131karlar i\u00e7in y\u00fcr\u00fct\u00fclen vek\u00e2let sava\u015f\u0131n\u0131n me\u015fruiyetini sa\u011flad\u0131. Bu dil T\u00fcrkiye\u2019ye ta\u015f\u0131nd\u0131\u011f\u0131nda, zaten tarih boyunca \u00f6tekile\u015ftirilmi\u015f olan Arap Aleviler, bu kez \u201cEsad art\u0131\u011f\u0131\u201d, \u201cSuriyeli\u201d gibi yaftalarla damgaland\u0131. Yani sava\u015f\u0131n s\u00f6ylemi, T\u00fcrkiye\u2019deki ayr\u0131mc\u0131 sistemin \u00fczerine eklemlendi. Belgesel, bu dezenformasyon zincirini k\u0131rmak i\u00e7in iki noktay\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131yor: Birincisi, Suriye\u2019deki Alevilerin asl\u0131nda rejimle \u00f6zde\u015fle\u015ftirilmekten \u00e7ok uzak bir yoksulluk ve d\u0131\u015flanm\u0131\u015fl\u0131k ya\u015fad\u0131\u011f\u0131 ger\u00e7e\u011fi. \u0130kincisi, T\u00fcrkiye\u2019de deprem sonras\u0131 dahi yard\u0131mlar\u0131n \u201ckimlik ve mezhebe g\u00f6re\u201d da\u011f\u0131t\u0131ld\u0131\u011f\u0131 anlar\u2026 Bu iki tan\u0131kl\u0131k, mezhepsel nefretin bir s\u00f6ylem de\u011fil, sistemli bir devlet prati\u011fi haline geldi\u011fini g\u00f6steriyor.<\/p>\n\n\n\n

Y\u00fczle\u015fmeden Eyleme<\/em><\/strong><\/p>\n\n\n\n

Ehlen: E\u011fitimden temsil sorununa, depremde dahi s\u00fcren ayr\u0131mc\u0131l\u0131ktan g\u00fcndelik mikro-d\u0131\u015flamalara: Film, izleyicide nas\u0131l bir eylem \u00e7a\u011fr\u0131s\u0131 \u00fcretmek istiyor? \u201cE\u015fit yurtta\u015fl\u0131k\u201d i\u00e7in izleyicinin yar\u0131n atabilece\u011fi ilk somut ad\u0131m nedir ve bu film o ad\u0131m\u0131 kolayla\u015ft\u0131rmak i\u00e7in ne sunuyor?<\/strong><\/p>\n\n\n\n

G.\u0130.: Film, izleyiciye sadece empati de\u011fil, siyasal sorumluluk y\u00fckl\u00fcyor. \u00c7\u00fcnk\u00fc mesele, bireysel \u00f6nyarg\u0131larla s\u0131n\u0131rl\u0131 de\u011fil; devletin resmi e\u011fitim politikas\u0131yla, zorunlu din dersleriyle, siyasi temsil engelleriyle, medyan\u0131n kara propagandas\u0131yla do\u011frudan ilgili. Yani sorun ki\u015fisel de\u011fil, yap\u0131sal. \u0130zleyiciden bekledi\u011fimiz ilk ad\u0131m, bu yap\u0131sal e\u015fitsizli\u011fi kabul etmek ve onun kar\u015f\u0131s\u0131nda saf\u0131n\u0131 belirlemek. Bu, bir dayan\u0131\u015fma festivaline kat\u0131lmak da olabilir,  bir ayr\u0131mc\u0131 habere itiraz etmek de\u2026 \u201cAraftakiler\u201d bu \u00e7a\u011fr\u0131y\u0131 g\u00fc\u00e7lendirmek i\u00e7in umudu da g\u00f6steriyor: Evvel Temmuz Festivali\u2019ndeki dayan\u0131\u015fma, depremde halk\u0131n kendi \u00f6rg\u00fctledi\u011fi yard\u0131m a\u011flar\u0131\u2026 Bu \u00f6rnekler, devletin yok sayd\u0131\u011f\u0131 yerde halk\u0131n kendi e\u015fitlik prati\u011fini kurabilece\u011fini kan\u0131tl\u0131yor.<\/p>\n\n\n\n

\u00d6tekiler<\/em><\/strong><\/p>\n\n\n\n

Ehlen: Belgeselde Arap Aleviler hem \u2018Arap\u2019 hem \u2018Alevi\u2019 kimlikleriyle \u00f6tekile\u015ftiriliyor diyorsunuz. Bu \u00e7ifte d\u0131\u015flanmay\u0131 anlatmak sizin i\u00e7in neden \u00f6nemliydi?<\/strong><\/p>\n\n\n\n


G.\u0130.: \u00c7\u00fcnk\u00fc Arap Aleviler her zaman iki katmanl\u0131 bir g\u00f6r\u00fcnmezli\u011fin i\u00e7inde ya\u015fad\u0131. Bir yandan Arap oldu\u011fumuz i\u00e7in dilimiz, k\u00fclt\u00fcr\u00fcm\u00fcz, mutfa\u011f\u0131m\u0131z, (halk aras\u0131ndaki hemen her Alevinin art\u0131k kli\u015fe d\u00fczeyde bildi\u011fi \u2018Alevinin yeme\u011fi yenmez\u2019) hatta \u015fivemiz bile k\u00fc\u00e7\u00fcmsendi. Arap\u00e7a konu\u015ftu\u011fumuzda okulda \u201cyasak\u201d diyen \u00f6\u011fretmenleri hat\u0131rl\u0131yorum. Di\u011fer yandan Alevi oldu\u011fumuz i\u00e7in inanc\u0131m\u0131z s\u00fcrekli ku\u015fkulu, tehditk\u00e2r bir \u015fey gibi g\u00f6r\u00fcld\u00fc. \u0130badethanelerimiz resmi olarak kabul g\u00f6rm\u00fcyor, ibadetlerimiz resm\u00ee olarak tan\u0131nm\u0131yor. Bu iki kimlik \u00fcst \u00fcste bindi\u011finde ortaya bir \u201c\u00e7ifte \u00f6tekile\u015ftirme\u201d hali \u00e7\u0131k\u0131yor.<\/p>\n\n\n\n

Belgeselde bu ger\u00e7e\u011fi saklamak istemedim. \u00c7\u00fcnk\u00fc bu, sadece akademik bir kavram de\u011fil, insanlar\u0131n g\u00fcnl\u00fck hayatlar\u0131nda ya\u015fad\u0131\u011f\u0131 \u00e7\u0131plak bir deneyim. Bir esnafla konu\u015ftu\u011fumda bana \u201cbiz hem buraday\u0131z hem de hi\u00e7bir zaman tam kabul edilmiyoruz\u201d dedi. Bu c\u00fcmle asl\u0131nda b\u00fct\u00fcn belgeselin \u00f6zeti gibiydi. Benim i\u00e7in bu belgesel, bu \u00e7ifte d\u0131\u015flanmay\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lman\u0131n, bir t\u00fcr tan\u0131kl\u0131k b\u0131rakman\u0131n yolu oldu.<\/p>\n\n\n\n

Ehlen: Belgeselde devletin e\u015fitsizlik pratikleri ele\u015ftiriliyor ama halk\u0131n esprili, h\u00fcz\u00fcnl\u00fc s\u00f6zlerine de yer veriyorsunuz. Bu tercihiniz neyi ifade ediyor?<\/strong><\/p>\n\n\n\n


G.\u0130.: \u00c7\u00fcnk\u00fc bizim toplulu\u011fumuzun en g\u00fc\u00e7l\u00fc taraf\u0131, ac\u0131n\u0131n ortas\u0131nda bile mizah\u0131 bulabilmesi. Bu mizah, asl\u0131nda hayatta kalma stratejimiz. Deprem sonras\u0131 yard\u0131mlar gecikti\u011finde bir dostum \u201cgaliba Alevi oldu\u011fumuzu anlad\u0131lar\u201d dedi. G\u00fclerken i\u00e7imiz ac\u0131yordu. Bu c\u00fcmle bir yandan isyan\u0131 dile getiriyor, \u00f6te yandan travmay\u0131 ta\u015f\u0131nabilir k\u0131l\u0131yor.<\/p>\n\n\n\n

Ben bu s\u00f6zleri \u00f6zellikle belgeselde tutmak istedim. \u00c7\u00fcnk\u00fc resmi raporlarda, devlet belgelerinde, politik analizlerde g\u00f6remeyece\u011finiz \u00e7\u0131plak bir ger\u00e7ek var orada. Halk\u0131n dilindeki mizah ve sitem, sistemin b\u00fct\u00fcn ac\u0131mas\u0131zl\u0131\u011f\u0131n\u0131 a\u00e7\u0131\u011fa \u00e7\u0131kar\u0131yor. Mizah bizim i\u00e7in sadece g\u00fclmek de\u011fil, ayn\u0131 zamanda varl\u0131\u011f\u0131m\u0131z\u0131 s\u00fcrd\u00fcrmenin en insani bi\u00e7imi.<\/p>\n\n\n\n

Ehlen: Uluslararas\u0131 toplumun Suriye\u2019deki katliamlara sessiz kalmas\u0131 belgeselde \u00f6ne \u00e7\u0131k\u0131yor. Siz bu sessizli\u011fi nas\u0131l de\u011ferlendiriyorsunuz?<\/strong><\/p>\n\n\n\n


G.\u0130.: Bu sessizlik; politik a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda, \u00e7\u0131kar ili\u015fkileri, g\u00fc\u00e7 dengeleri, jeopolitik hesaplar vs. ile ilgili. Fakat ben bu i\u015fin insani taraf\u0131na bakmay\u0131 daha do\u011fru buluyorum. Suriye\u2019de ya\u015fanan soyk\u0131r\u0131m s\u00fcrecinde yap\u0131lan katliamlar kimsenin vicdan\u0131na yeterince a\u011f\u0131r gelmedi. Bu ger\u00e7eklik belgeselin ruhunu \u00f6zetledi.<\/p>\n\n\n\n

Uluslararas\u0131 toplum, kimli\u011fe g\u00f6re ac\u0131ya de\u011fer bi\u00e7iyor. Bir yerde \u00f6lenler \u2018stratejik m\u00fcttefik\u2019 olarak g\u00f6r\u00fcld\u00fc\u011f\u00fcnde d\u00fcnya aya\u011fa kalk\u0131yor, ama bir ba\u015fka yerde \u00f6lenler \u2018\u00f6nemsiz\u2019 say\u0131ld\u0131\u011f\u0131nda sessizlik \u00e7\u00f6k\u00fcyor. Benim i\u00e7in bu sessizlik, sadece politik bir tercih de\u011fil; ayn\u0131 zamanda insanl\u0131\u011f\u0131n vicdan\u0131ndaki b\u00fcy\u00fck bir bo\u015fluk. Belgeselin en temel amac\u0131, bu utan\u00e7 verici ayr\u0131m\u0131 g\u00f6stermekti.<\/p>\n\n\n\n

Ehlen: Araftakileri izleyenler sizce salondan hangi soruyla \u00e7\u0131kmal\u0131?<\/strong><\/p>\n\n\n\n


G.\u0130.: Ben izleyicinin belgeselden \u00e7\u0131kt\u0131\u011f\u0131nda kendine \u015fu soruyu sormas\u0131n\u0131 isterim: \u201cBenim \u00f6tekim kim?\u201d \u00c7\u00fcnk\u00fc hepimiz fark\u0131nda olal\u0131m ya da olmayal\u0131m, sistem bize birilerini \u00f6teki olarak i\u015faret ediyor. Kimi zaman mezhebiyle, kimi zaman diliyle, kimi zaman g\u00f6\u00e7menli\u011fiyle\u2026 E\u011fer seyirci belgeselden sonra sadece Arap Alevilerin de\u011fil, kendi hayat\u0131ndaki \u00f6tekile\u015ftirme bi\u00e7imlerini de g\u00f6rmeye ba\u015flarsa, i\u015fte o zaman belgesel amac\u0131na ula\u015f\u0131r.<\/p>\n\n\n\n

\u201cAraftakiler\u201d benim i\u00e7in sadece kendi kimli\u011fimin hik\u00e2yesi de\u011fil; b\u00fct\u00fcn \u00f6tekile\u015ftirilenlerin hik\u00e2yesi. E\u011fer film k\u00fc\u00e7\u00fck de olsa bir empati kap\u0131s\u0131 a\u00e7arsa, izleyiciyi kendisiyle y\u00fczle\u015ftirirse, ben y\u00f6netmen olarak g\u00f6revimi yapm\u0131\u015f sayar\u0131m.<\/p>\n\n\n\n

Araftan \u00d6nce<\/em><\/strong><\/p>\n\n\n\n

Ehlen: \u2018Araftakiler \u2019den \u00f6nce \u2018Suyun Ayak \u0130zleri\u2019 ve \u2018Kay\u0131p\u2019 filmlerini yapt\u0131n\u0131z. \u2018Suyun Ayak \u0130zlerinde\u2019 d\u00f6rt taraf\u0131 sularla \u00e7evrili Antakya\u2019n\u0131n deprem zaman\u0131 ya\u015fad\u0131\u011f\u0131 susuzluk sorunlar\u0131na, \u2018Kay\u0131p\u2019ta ise deprem sonras\u0131 yok olu\u015f, aray\u0131\u015f ve haf\u0131za meselelerine odakland\u0131n\u0131z. Bu \u00f6nceki filmlerinizin yap\u0131l\u0131\u015f s\u00fcreci ve g\u00f6sterimleri, \u2018Araftakiler\u2019in ortaya \u00e7\u0131k\u0131\u015f\u0131na nas\u0131l zemin haz\u0131rlad\u0131? Ayr\u0131ca \u2018Araftakiler\u2019in g\u00f6sterim yolculu\u011fu nas\u0131l olacak; hangi festivallerde, hangi mecralarda izleyiciyle bulu\u015fmas\u0131n\u0131 hedefliyorsunuz?<\/strong><\/p>\n\n\n\n

G.\u0130.: Depremin ilk zamanlar\u0131nda, devlet m\u00fcdahalesinin yetersizli\u011fi nedeniyle \u00e7ok de\u011ferli dayan\u0131\u015fma a\u011flar\u0131 kurulmu\u015ftu Antakya\u2019da. Ben de her sorumlu yurtta\u015f kadar bu a\u011flara dahil olup \u00e7al\u0131\u015fma y\u00fcr\u00fct\u00fcyordum. Su kaynaklar\u0131n\u0131n i\u00e7inde ya\u015fayan \u015fehrin aylar s\u00fcren su krizine dikkat \u00e7ekmek i\u00e7in \u2018Suyun Ayak \u0130zleri\u2019\u2026<\/p>\n\n\n\n

\u00d6nceki filmlerim asl\u0131nda birbirini tamamlayan bir hat \u00fczerinde ilerledi. Suyun Ayak \u0130zleri<\/em>nde, deprem sonras\u0131 Antakya\u2019da d\u00f6rt taraf\u0131 sularla \u00e7evrili bir \u015fehirde insanlar\u0131n aylarca susuzlu\u011fa mahk\u00fbm edili\u015fini konu edindik ve bu k\u0131sa film ile Sabanc\u0131 Vakf\u0131\u2019n\u0131n d\u00fczenledi\u011fi, \u2018K\u0131sa Film Uzun Etki\u2019 market se\u00e7kisine girdik. Kay\u0131p<\/em>\u2019ta ise deprem sonras\u0131 ya\u015fanan yok olu\u015f, hat\u0131rlama ve unutma meseleleri \u00fczerinden toplumsal haf\u0131zan\u0131n k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lmaya \u00e7al\u0131\u015ft\u0131m. Kay\u0131p Filmi ile alternatif bir yap\u0131m ve g\u00f6sterim yolu izleyerek filmi bir nevi sosyal sorumluluk projesine d\u00f6n\u00fc\u015ft\u00fcr\u00fcp T\u00fcrkiye ve Avrupa\u2019n\u0131n pek \u00e7ok \u00fclke ve \u015fehrinde 40\u2019tan fazla g\u00f6sterim yapt\u0131k ve her g\u00f6sterimden sonra yap\u0131lan s\u00f6yle\u015filer ile Antakya\u2019n\u0131n mahk\u00fbm edildi\u011fi sorunlar yuma\u011f\u0131n\u0131 g\u00fcndemde tutmaya devam ettik.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

 Bu iki film hem tematik olarak hem de bi\u00e7imsel olarak beni \u201carafta kalma\u201d h\u00e2line g\u00f6t\u00fcrd\u00fc. Bir yanda ki\u015fisel ve kolektif haf\u0131zan\u0131n s\u00fcreklili\u011fi, di\u011fer yanda kay\u0131plar, belirsizlikler ve geriye kalanlarla nas\u0131l ba\u015fa \u00e7\u0131k\u0131ld\u0131\u011f\u0131 \u00fczerine d\u00fc\u015f\u00fcnmek\u2026 Araftakiler<\/em> bu s\u00fcrecin do\u011fal bir devam\u0131 olarak do\u011fdu. \u00d6nceki filmlerde edindi\u011fim deneyimler, \u00f6zellikle mek\u00e2n-haf\u0131za ili\u015fkisini kurarken geli\u015ftirdi\u011fim y\u00f6ntemler ve izleyicilerle kurdu\u011fum diyaloglar, bu projeyi \u015fekillendirmemde belirleyici oldu.<\/p>\n\n\n\n

G\u00f6sterim yolculu\u011fu a\u00e7\u0131s\u0131ndan da hedefimiz filmin \u00f6ncelikle ulusal ve uluslararas\u0131 festivallerde izleyiciyle bulu\u015fmas\u0131. Belgeselin tart\u0131\u015ft\u0131\u011f\u0131 meselelerin evrensel kar\u015f\u0131l\u0131klar\u0131 oldu\u011funa inan\u0131yorum, bu nedenle farkl\u0131 co\u011frafyalarda farkl\u0131 okumalara a\u00e7\u0131k olmas\u0131n\u0131 \u00e7ok \u00f6nemsiyorum. Festival s\u00fcrecinin ard\u0131ndan T\u00fcrkiye\u2019de \u00f6zel g\u00f6sterimler, \u00fcniversiteler ve sivil toplum \u00f6rg\u00fctleriyle i\u015f birlikleri, ard\u0131ndan da dijital mecralar \u00fczerinden daha geni\u015f kitlelere ula\u015fmas\u0131n\u0131 planl\u0131yoruz. Amac\u0131m filmi sadece bir seyir deneyimi olarak de\u011fil, ayn\u0131 zamanda bir tart\u0131\u015fma ve d\u00fc\u015f\u00fcnme alan\u0131 olarak dola\u015f\u0131ma sokmak.<\/p>\n\n\n\n

(Ehlen Dergisi\u2019nin 8. say\u0131s\u0131nda yay\u0131mlanm\u0131\u015ft\u0131r, Kas\u0131m 2025, Y\u0131l:3 Say\u0131:8)
<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00c7anakkale 18 Mart \u00dcniversitesi Tarih B\u00f6l\u00fcm\u00fc\u2019nden mezun olan, y\u00fcksek lisans\u0131n\u0131 Mustafa Kemal \u00dcniversitesi\u2019nde tamamlayan Gazi \u0130smailo\u011fullar\u0131, akademik birikimini sinema sanat\u0131yla bulu\u015fturan bir isim. 2016\u2019da Semir Aslany\u00fcrek\u2019in\u00a0Kaos\u00a0filmiyle oyuncu olarak sinemaya ad\u0131m atan \u0130smailo\u011fullar\u0131, 2023\u2019ten itibaren y\u00f6netmenlik \u00e7al\u0131\u015fmalar\u0131na yo\u011funla\u015ft\u0131.\u00a0Suyun Ayak \u0130zleri\u00a0(2023),\u00a0Kay\u0131p\u00a0(2024) ve\u00a0Bir Nehir Gibi\u00a0(2024) adl\u0131 k\u0131sa filmleriyle dikkat \u00e7eken y\u00f6netmen, \u015fu s\u0131ralar T\u00fcrkiye\u2019deki Arap Alevilerinin kimlik m\u00fccadelesini […]<\/p>\n","protected":false},"author":1,"featured_media":1128,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[6],"tags":[],"class_list":{"0":"post-1125","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kultur"},"yoast_head":"\nAraftakiler\u2019e Giden Yol: Gazi \u0130smailo\u011fullar\u0131 ile R\u00f6portaj - ehlen<\/title>\n<meta name=\"description\" content=\"Ben Arap Aleviyim ve bu kimlikle b\u00fcy\u00fcd\u00fcm. \u00d6zellikle \u00fcniversite y\u0131llar\u0131 ile farkl\u0131 olman\u0131n ne demek oldu\u011funu hep hissettim.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ehlendergisi.com\/index.php\/2025\/11\/17\/araftakilere-giden-yol-gazi-ismailogullari-ile-roportaj\/\" \/>\n<meta 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