{"id":1171,"date":"2025-12-05T16:43:55","date_gmt":"2025-12-05T16:43:55","guid":{"rendered":"https:\/\/ehlendergisi.com\/?p=1171"},"modified":"2025-12-05T19:03:08","modified_gmt":"2025-12-05T19:03:08","slug":"antakyali-yazarlar-ve-alevi-mahallesine-iltica","status":"publish","type":"post","link":"https:\/\/ehlendergisi.com\/index.php\/2025\/12\/05\/antakyali-yazarlar-ve-alevi-mahallesine-iltica\/","title":{"rendered":"Antakyal\u0131 Yazarlar ve Alevi Mahallesine \u0130ltica"},"content":{"rendered":"\n

Adil Okay <\/strong><\/p>\n\n\n\n

\u00c7a\u011fda\u015f sanatta yazar \/ sanat\u00e7\u0131, okuyucuyu pasif bir al\u0131c\u0131 olarak g\u00f6rmez. Onu metnin bir par\u00e7as\u0131, bir yol arkada\u015f\u0131 ve hatta bir s\u0131rda\u015f\u0131 olarak konumland\u0131r\u0131r. Bu yakla\u015f\u0131m, uzun betimlemeler yerine k\u0131sa c\u00fcmleleri, imgeleri ve metaforlar\u0131 kullanarak okurun zihninde yeni \u00e7a\u011fr\u0131\u015f\u0131mlar yaratmay\u0131 hedefler. Yazar, okuyucuyu sat\u0131r aralar\u0131n\u0131 ve bilin\u00e7li olarak b\u0131rak\u0131lan bo\u015fluklar\u0131 doldurmaya davet eder. Bu etkile\u015fim, okuyucu i\u00e7in keyifli oldu\u011fu kadar, zaman zaman zihinsel bir \u00e7aba da gerektirir.<\/p>\n\n\n\n

Bu, Antakyal\u0131 yazarlar Recep Y\u0131ld\u0131r\u0131m ve Tunay Devrim’in eserlerinde de g\u00f6zlemledi\u011fim bir durum. Yazarlar, okuyucunun doldurmas\u0131n\u0131 bekleyen bilin\u00e7li bo\u015fluklar b\u0131rak\u0131yorlar. Bu bo\u015fluklar, okuyucunun kendi bilgisi ve duygusal birikimiyle metne katk\u0131da bulunmas\u0131n\u0131 sa\u011fl\u0131yor. <\/strong>Bo\u015fluklardan birini, \u201cmozaik\u201d retori\u011finin asl\u0131n\u0131 bilmeyenler i\u00e7in a\u00e7\u0131klamak, unutanlara da hat\u0131rlatmak istiyorum: Bir zamanlar Antakya\u2019da, uzun bir d\u00f6nem ikinci s\u0131n\u0131f vatanda\u015f muamelesi g\u00f6ren Aleviler ile egemen kimlik mensubu olan S\u00fcnnilerin mahalleleri -T\u00fcrkiye\u2019nin bir\u00e7ok kentinde oldu\u011fu gibi- ayr\u0131yd\u0131. \u0130stisnalar olmakla birlikte Gayrim\u00fcslimler de a\u011f\u0131rl\u0131kl\u0131 olarak kendilerini daha g\u00fcvende hissettikleri Alevi mahallelerinde ya\u015farlard\u0131. Ezilenlerin dayan\u0131\u015fmas\u0131 diyebiliriz buna.  Onlar\u0131n da b\u00fcy\u00fck \u00e7o\u011funlu\u011fu \u00f6nce Antakya\u2019y\u0131 sonra da T\u00fcrkiye\u2019yi terk ettiler. Mozaik falan kalmad\u0131. <\/p>\n\n\n\n

Recep Y\u0131ld\u0131r\u0131m\u2019\u0131n \u00d6yk\u00fclerinde Ge\u00e7mi\u015fe Yolculuk<\/strong><\/p>\n\n\n\n

Recep Y\u0131ld\u0131r\u0131m\u2019\u0131n \u201cGeyik B\u00f6ce\u011fi\u201d[i]<\/sup><\/a> adl\u0131 \u00f6yk\u00fc kitab\u0131nda yer alan “Kendine ait bir oda<\/em>” adl\u0131 \u00f6yk\u00fc, Antakya’n\u0131n yok edilen de\u011ferlerine, k\u0131r\u0131lan mozai\u011fe ayna tutarken, \u00e7ok k\u00fclt\u00fcrl\u00fc ge\u00e7mi\u015fine duyulan derin bir \u00f6zlemi de f\u0131s\u0131ld\u0131yor. T\u00fcrk\u00e7e, Arap\u00e7a ve Ermeniceye yap\u0131lan g\u00f6ndermelerle, \u015fehrin kadim \u00e7ok dillili\u011fi ve inan\u00e7 zenginli\u011fi yeniden canlan\u0131yor. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

\u00d6yk\u00fcy\u00fc okurken Cumhuriyet tarihi boyunca devlet ve mahalle bask\u0131s\u0131 sonucu (\u00f6rne\u011fin yirmi kura askerlik uygulamas\u0131, 6-7 Eyl\u00fcl olaylar\u0131, Varl\u0131k Vergisi, halk\u0131n iradesi yok say\u0131larak de\u011fi\u015ftirilen b\u00f6lge-belde adlar\u0131 vd. psikolojik ve fiziki bask\u0131lar nedeniyle) g\u00f6\u00e7e zorlanan az\u0131nl\u0131klar\u0131n arkalar\u0131nda b\u0131rakt\u0131\u011f\u0131 derin h\u00fczn\u00fc ve bo\u015flu\u011fu iliklerimize kadar hissediyoruz; yazar\u0131n and\u0131\u011f\u0131 Terzi Anjelik’i, Madam Pauli’yi ve Konstantin’i, yani uzun y\u0131llar \u00f6nce tarihe kar\u0131\u015fan \u201cmozai\u011fi\u201d \u00f6zl\u00fcyoruz. \u0130sevi ve Musevi az\u0131nl\u0131klar yan\u0131 s\u0131ra (yazar gibi) ana dili Arap\u00e7a olan Alevi \u00e7ocuklar\u0131n okulda maruz kald\u0131klar\u0131 psikolojik bask\u0131y\u0131, Hrant Dink\u2019in ifadesiyle- ya\u015fad\u0131klar\u0131 \u201cg\u00fcvercin tedirginli\u011fi\u201dni an\u0131ms\u0131yoruz.<\/p>\n\n\n\n

Tunay Devrim\u2019in Ceylan\u0131<\/strong><\/p>\n\n\n\n

Bo\u015fluklar ve okuyucu katk\u0131s\u0131 hakk\u0131nda bir ba\u015fka \u00f6rnek vereyim. Tunay Devrim, \u201cRavi\u201d[ii]<\/sup><\/a> adl\u0131 kitab\u0131nda yer alan “Gelineli” adl\u0131 \u00f6yk\u00fcs\u00fcnde “Yakup” demi\u015f, “Yusuf” demi\u015f, b\u0131rakm\u0131\u015f. Bu noktada okuyucudan Yakup ve Yusuf’un dinler tarihindeki yerini ve s\u00f6ylenceleri an\u0131msamas\u0131 beklenir.  “Gelineli” adl\u0131 \u00f6yk\u00fcden a\u015fa\u011f\u0131da al\u0131nt\u0131lad\u0131\u011f\u0131m bir paragraf meram\u0131m\u0131 \u00f6zetler: <\/p>\n\n\n\n

“Karanl\u0131kta a\u011fa\u00e7l\u0131 bir yoldan gitsen ne de\u011fi\u015fir? \u0130nsan orman\u0131 g\u00f6remedikten sonra \u00e7\u00f6l de ormand\u0131r kalbinde. \u00c7\u00f6lden ge\u00e7iyorum \u015fimdi a\u011fz\u0131mda kum de\u011fil zehir zerreci\u011fi. \u00c7\u00f6l\u00fcn i\u00e7inden ge\u00e7iyorum ve hi\u00e7bir ceylan bir kuyuya g\u00f6t\u00fcrm\u00fcyor beni. Hi\u00e7bir Yusuf\u2019a rastlam\u0131yorum \u00e7\u00fcnk\u00fc kuyular s\u00fcrg\u00fcnlerle dolu. Her s\u00fcrg\u00fcn uzaktaki a\u011flayan\u0131na hasret. Oysa hi\u00e7bir Yakup tartmad\u0131 g\u00f6zya\u015f\u0131n\u0131 bir g\u00f6mlekle\u2026” <\/em>(s. 38)<\/p>\n\n\n\n

Burada durup, Devrim\u2019in \u00f6yk\u00fclerinde dolayl\u0131 de\u011finilen Yakup ve Yusuf s\u00f6ylencesinden yola \u00e7\u0131karak an itibariyle devam eden bir trajediye de\u011finmek istiyorum. Biliyorsunuz d\u00fcnyan\u0131n g\u00f6z\u00fc \u00f6n\u00fcnde bir soyk\u0131r\u0131m ya\u015fan\u0131yor. \u0130srail 20 ay i\u00e7inde 20 bini \u00e7ocuk 65 bin sivili katletti. Etmeye devam ediyor. Hi\u00e7bir \u00fclke -c\u0131l\u0131z k\u0131namalar d\u0131\u015f\u0131nda- \u0130srail\u2019i durdurmaya yana\u015fm\u0131yor. BM kararlar\u0131 uygulanm\u0131yor. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Bilindi\u011fi gibi Hz. Yakup, \u0130srailliler taraf\u0131ndan \u201c\u0130srailo\u011fullar\u0131n\u0131n \u00fc\u00e7 kurucu atas\u0131ndan (Patriarchs) biri\u201d olarak kabul edilir. Di\u011ferleri \u0130brahim ve \u0130shak\u2019t\u0131r. (\u0130slam dini de Yakup\u2019u peygamber olarak kabul eder.) Yakup\u2019un o\u011flu Yusuf\u2019un ise kaderi k\u00f6t\u00fc yaz\u0131lm\u0131\u015ft\u0131r. Yusuf kendi karde\u015fleri taraf\u0131ndan -k\u0131skan\u00e7l\u0131k nedeniyle- \u00f6ld\u00fcr\u00fcl\u00fcp bir kuyuya at\u0131lm\u0131\u015f, baba Yakup da bunu \u00f6\u011frenince kahrolmu\u015f, g\u00f6zya\u015flar\u0131n\u0131 o\u011flu Yusuf\u2019un kanl\u0131 g\u00f6mle\u011fiyle silmi\u015ftir. O kan da asl\u0131nda Yusuf\u2019a de\u011fil bir ceylana aittir. Katil karde\u015fler bir ceylan\u0131n kan\u0131n\u0131 Yusuf\u2019un g\u00f6mle\u011fine s\u00fcrm\u00fc\u015fler ve onun bir kurt sald\u0131r\u0131s\u0131nda \u00f6ld\u00fc\u011f\u00fc yalan\u0131n\u0131 s\u00f6ylemi\u015fleridir. <\/p>\n\n\n\n

Yazar\u0131n \u201cceylan ve kuyu\u201d metaforunun kayna\u011f\u0131 da budur.<\/p>\n\n\n\n

\u0130\u015fte diyorum, Hz. Yakup bug\u00fcn ya\u015fasayd\u0131 daha \u00e7ok kahrolur, 7 Ekim 2023\u2019ten bug\u00fcne 20 bin Filistinli \u00e7ocu\u011fu katleden, 4 bin \u00e7ocu\u011fu da elsiz ayaks\u0131z b\u0131rakan \u0130srail devletini \u00e7ocuk katili ve \u201cd\u00fc\u015fk\u00fcn\u201d ilan eder, lanetlerdi. Keza say\u0131lar\u0131 \u00e7ok az da olsa baz\u0131 Yahudi cemaatler Siyonist \u0130srail devletini \u201cd\u00fc\u015fk\u00fcn\u201d ilan edip soyk\u0131r\u0131m\u0131 k\u0131namaktad\u0131r. <\/p>\n\n\n\n

Babam S\u00fcleyman Okay\u2019\u0131n Alevi Mahallesine \u0130lticas\u0131<\/strong><\/p>\n\n\n\n

Bir ba\u015fka \u00f6rnek vereyim: Sosyalist \u015fair kimli\u011fi ile tan\u0131nan (Antakya\u2019da en zor d\u00f6nemde, 12 Eyl\u00fcl sonras\u0131nda Halk Evi ba\u015fkanl\u0131\u011f\u0131 yapan, \u0130HD\u2019nin kurucular\u0131 aras\u0131nda yer alan) babam S\u00fcleyman Okay da 70\u2019li y\u0131llarda S\u00fcnni mahallelerinde \u00f6rg\u00fctl\u00fc olan devlet destekli \u201c\u00fclk\u00fcc\u00fc\u201d \u00e7etelerin tehditleri sonucu- bir\u00e7ok S\u00fcnni k\u00f6kenli sol kimlikli insan gibi – kendini daha g\u00fcvende hissedebilece\u011fi Alevi mahallesine, Affan\u2019a ta\u015f\u0131nm\u0131\u015ft\u0131. <\/p>\n\n\n\n

Tarihin cilvesine bak\u0131n: Ben de 12 Eyl\u00fcl fa\u015fist darbesinden sonra L\u00fcbnan Filistin kamplar\u0131na ge\u00e7meden \u00f6nce Suriye\u2019ye, Alevilerin co\u011frafyas\u0131na s\u0131\u011f\u0131nm\u0131\u015ft\u0131m. Ve ne ac\u0131d\u0131r ki bir\u00e7ok ba\u011f\u0131ms\u0131z g\u00f6zlemcinin ara\u015ft\u0131rma sonu\u00e7lar\u0131na g\u00f6re, 2011\u2019den bu yana, i\u00e7 sava\u015fta 160.000\u2019i Alevi olan 300.000 insan hayat\u0131n\u0131 kaybetti. Alevi, S\u00fcnni, Hristiyan, Arap, K\u00fcrt, T\u00fcrkmen, D\u00fcrzi -b\u00fcy\u00fck \u00e7o\u011funlu\u011fu sava\u015fta taraf olmayan- milyonlarca Suriyelinin evi y\u0131k\u0131ld\u0131, i\u00e7 d\u0131\u015f g\u00f6\u00e7 ya\u015fand\u0131. Bug\u00fcn de HT\u015e \u00e7etesinin, \u00f6zellikle Alevi sivilleri hedef alan, katliamlar\u0131 devam ediyor. <\/p>\n\n\n\n

Sons\u00f6z de Recep Y\u0131ld\u0131r\u0131m\u2019dan Olsun<\/strong><\/p>\n\n\n\n

Recep Y\u0131ld\u0131r\u0131m\u2019\u0131n depremden \u00f6nce yazd\u0131\u011f\u0131 ve \u201cGeyik B\u00f6ce\u011fi\u201dnin sonuna ekledi\u011fi bir metinde s\u00f6z\u00fcn\u00fc etti\u011fim Alevilere y\u00f6nelik asimilasyon politikas\u0131n\u0131n ve k\u00fclt\u00fcrel soyk\u0131r\u0131m\u0131n sonu\u00e7lar\u0131 \u015f\u00f6yle ifade ediliyor: <\/p>\n\n\n\n

\u201cG\u00f6\u00e7 \u00f6yk\u00fcm\u00fcz yok. Arkeolojik katmanlar var insanlar\u0131m\u0131zda. Dedelerimiz birka\u00e7 dille konu\u015fuyor. Ninelerimiz Arap\u00e7a konu\u015fuyor. Dedelerimiz, s\u00fctunlu mabetlerimiz, meslek tanr\u0131lar\u0131m\u0131z. Babalar\u0131m\u0131z, meslek yalva\u00e7lar\u0131. Annelerimizin belle\u011fi \u00f6rd\u00fckleri has\u0131rlarda kald\u0131. Biz \u00e7ocuklar son \u00e7\u00f6mle\u011fin i\u00e7indeki \u015faraptan tatt\u0131k. \u00c7\u00f6mle\u011fi par\u00e7alay\u0131p att\u0131k. G\u00f6\u00e7 \u00f6yk\u00fcm\u00fcz yok. Buraday\u0131z. Ruhumuz azapta, ruhumuz g\u00f6\u00e7te. Renksizli\u011fe, belirsizli\u011fe, kimliksizli\u011fe yol al\u0131yor.\u201d <\/em>(s. 89)<\/p>\n\n\n\n

\n\n\n\n

[i]<\/sup><\/a> Recep Y\u0131ld\u0131r\u0131m, Geyik B\u00f6ce\u011fi, Belge Yay\u0131nlar\u0131, 1. Bask\u0131, \u0130stanbul, 2023.<\/p>\n\n\n\n

[ii]<\/sup><\/a> Tunay Devrim, Ravi, SRC Kitap, \u0130stanbul, 2025.<\/p>\n","protected":false},"excerpt":{"rendered":"

Adil Okay  \u00c7a\u011fda\u015f sanatta yazar \/ sanat\u00e7\u0131, okuyucuyu pasif bir al\u0131c\u0131 olarak g\u00f6rmez. Onu metnin bir par\u00e7as\u0131, bir yol arkada\u015f\u0131 ve hatta bir s\u0131rda\u015f\u0131 olarak konumland\u0131r\u0131r. Bu yakla\u015f\u0131m, uzun betimlemeler yerine k\u0131sa c\u00fcmleleri, imgeleri ve metaforlar\u0131 kullanarak okurun zihninde yeni \u00e7a\u011fr\u0131\u015f\u0131mlar yaratmay\u0131 hedefler. Yazar, okuyucuyu sat\u0131r aralar\u0131n\u0131 ve bilin\u00e7li olarak b\u0131rak\u0131lan bo\u015fluklar\u0131 doldurmaya davet eder. 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