{"id":1209,"date":"2025-12-27T10:45:12","date_gmt":"2025-12-27T10:45:12","guid":{"rendered":"https:\/\/ehlendergisi.com\/?p=1209"},"modified":"2026-01-03T15:52:38","modified_gmt":"2026-01-03T15:52:38","slug":"antakya-yerel-arap-diyalektiyle-siir-yaziyor","status":"publish","type":"post","link":"https:\/\/ehlendergisi.com\/index.php\/2025\/12\/27\/antakya-yerel-arap-diyalektiyle-siir-yaziyor\/","title":{"rendered":"Antakya, Yerel Arap Diyalektiyle \u015eiir Yaz\u0131yor"},"content":{"rendered":"\n

Mehmet Hakk\u0131 Su\u00e7in<\/strong><\/p>\n\n\n\n

\u015eair Mehmet D\u00fc\u015fer, \u00dcryan<\/em> adl\u0131 \u015fiir kitab\u0131yla Arap\u00e7a-T\u00fcrk\u00e7e \u015fiir evreninde ender rastlanan bir deneyim sunuyor.* \u015eiirlerini T\u00fcrkiye\u2019nin g\u00fcneyinde konu\u015fulan Antakya Arap diyalektiyle kaleme alan D\u00fc\u015fer, uzun y\u0131llar boyunca resm\u00ee dil T\u00fcrk\u00e7e ile Modern Standart Arap\u00e7a aras\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f, \u00e7o\u011fu zaman marjinalle\u015ftirilmi\u015f dil ya da yaln\u0131zca \u201cev dili\u201d olarak g\u00f6r\u00fclm\u00fc\u015f bir dilsel yap\u0131y\u0131 \u015fiirin merkezine ta\u015f\u0131yor. \u015eair, bu diyalekti insan\u0131n ac\u0131s\u0131n\u0131 ve kolektif haf\u0131zas\u0131n\u0131 dile getirebilen bir \u015fiir diline d\u00f6n\u00fc\u015ft\u00fcr\u00fcrken onu bu topraklar\u0131n k\u00fclt\u00fcrel ve dilsel miras\u0131n\u0131n do\u011fal bir par\u00e7as\u0131 olarak yeniden konumland\u0131r\u0131yor.<\/p>\n\n\n\n

Kitab\u0131n daha ilk sayfalar\u0131ndan itibaren sadelik ve a\u00e7\u0131kl\u0131k y\u00f6n\u00fcnde bilin\u00e7li bir tercih hissediliyor. Zaten kitab\u0131n ad\u0131 olan \u00dcryan<\/em>, bu tutumu a\u00e7\u0131k\u00e7a ele veriyor: Dil, her t\u00fcrl\u00fc yapayl\u0131ktan ar\u0131nm\u0131\u015f, g\u00fcndelik hayat\u0131n nabz\u0131na yak\u0131n bir h\u00e2lde kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. Antakya\u2019ya seslendi\u011fi \u015fiirinde \u015fair \u015f\u00f6yle diyor (s. 16-17) [1]<\/a>:<\/p>\n\n\n\n

\u201cTelet eyy\u00e2m va telet ley\u00e2li \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Eyya matar by\u0131\u062esel \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
El-esv\u00e2t \u0131l-3\u0131ry\u00e2ni?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Ya Ant\u00e2kya, y\u00e2 m\u00e2d\u00eeni \u1e33ad\u00eemi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Eyya hava bitayyer\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
\u062eay\u00e2l s\u00fbrtik min el-b\u00e2l?\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n

\u062a\u0644\u064e\u062a \u0623\u064a\u0627\u0645 \u0648\u062a\u0644\u064e\u062a \u0644\u064a\u0627\u0644\u064a
\u0623\u064a\u0651 \u0645\u0637\u0631 \u0628\u064a\u063a\u0633\u0644
\u0627\u0644\u0623\u0635\u0648\u0627\u062a \u0627\u0644\u0639\u0631\u064a\u0627\u0646\u0629\u061f
\u064a\u0627 \u0623\u0646\u0637\u0627\u0643\u064a\u0627 \u064a\u0627 \u0645\u062f\u064a\u0646\u0629 \u0642\u062f\u064a\u0645\u0629
\u0623\u064a\u0651 \u0647\u0648\u0627\u0621 \u0628\u0650\u0637\u064e\u064a\u0651\u0631
\u062e\u064a\u0627\u0644 \u0635\u0648\u0631\u062a\u0650\u0643 \u0645\u0646 \u0627\u0644\u0628\u0627\u0644<\/p>\n\n\n\n

(\u00dc\u00e7 g\u00fcn \u00fc\u00e7 gece<\/em>
Hangi ya\u011fmur y\u0131kayabilir<\/em>
\u00c7\u0131plak sesleri?<\/em>
Ey Antakya, ey kadim kent!<\/em>
Hangi r\u00fczg\u00e2r y\u0131kabilir<\/em>
Zihinlerden sil\u00fcetini)<\/em><\/p>\n\n\n\n

Bu dizelerde \u015fair, tarihe k\u00f6k salm\u0131\u015f Antakya\u2019n\u0131n mek\u00e2nsal boyutuyla, \u015fehrin bellekte as\u0131l\u0131 kalan imgesinin lirik boyutunu bir araya getiriyor. Antakya diyalekti burada utan\u0131lacak bir unsur olarak de\u011fil aksine gururla sahiplenilen bir ifade bi\u00e7imi olarak kar\u015f\u0131m\u0131za \u00e7\u0131k\u0131yor. B\u00f6ylece \u015fair, bu diyalektin de \u015fark\u0131 s\u00f6yleyebildi\u011fini, en az Modern Standart Arap\u00e7a, T\u00fcrk\u00e7e ya da ba\u015fka diller kadar estetik imgeler kurabildi\u011fini ilan ediyor.<\/p>\n\n\n\n

\u00dcryan<\/em>, b\u00f6lgedeki \u00e7okdillili\u011fi ve \u00e7okk\u00fclt\u00fcrl\u00fcl\u00fc\u011f\u00fc selamlayan dizelerle ba\u015fka bir boyut kazan\u0131yor. \u015eair, yery\u00fcz\u00fcnde konu\u015fulan t\u00fcm dillere kulak verdi\u011fini \u015f\u00f6yle dile getiriyor (s. 30-31):<\/p>\n\n\n\n

\u201cEl-muvv\u00e2l
\u0130lli r\u0131di\u0639 min D\u0131cla bil-k\u0131rdiyyi
Val-\ufecd\u0131nniyy\u00e2t illi ta\ufecdannet
Bikerk\u00fbk bit-t\u0131rkm\u00e2niyyi
Va\u015f-\u015f\u0131\u0639\u0131r illi \u015f\u0131rib
m\u0131n \u0131l-\u0639\u00e2si bil-\u0639arabiyyi\u201d<\/p>\n\n\n\n

\u0627\u0644\u0645\u0648\u0651\u0627\u0644 \u0627\u0644\u0644\u064a \u0631\u0636\u0639\u0652 \u0645\u0650\u0646 \u062f\u062c\u0644\u0629 \u0628\u0627\u0644\u0643\u0631\u062f\u064a\u0651\u0629
\u0648\u0627\u0644\u063a\u0646\u0651\u064a\u0627\u062a \u0627\u0644\u0644\u064a \u062a\u063a\u0646\u0651\u062a\u0652 \u0628\u0643\u0631\u0643\u0648\u0643 \u0628\u0627\u0644\u062a\u0631\u0643\u0645\u0627\u0646\u064a\u0651\u0629
\u0648\u0627\u0644\u0634\u0650\u0639\u0652\u0631 \u0627\u0644\u0644\u064a \u0634\u0631\u0628 \u0645\u0646 \u0627\u0644\u0639\u0627\u0635\u064a \u0628\u0627\u0644\u0639\u0631\u0628\u064a\u0629<\/p>\n\n\n\n

(Dicle\u2019den beslenen K\u00fcrt\u00e7e a\u011f\u0131t\u0131<\/em>
Kerk\u00fck\u2019te s\u00f6ylenen<\/em>
T\u00fcrkmen t\u00fcrk\u00fclerini<\/em>
Susuzlu\u011funu Asi\u2019den gideren<\/em>
Arap\u00e7a \u015fiiri)<\/em><\/p>\n\n\n\n

Bu dizelerle D\u00fc\u015fer, Anadolu ve Ortado\u011fu kimli\u011finin tek bir dile ya da tek bir k\u00fclt\u00fcre indirgenemeyece\u011fini, aksine \u00e7ok katmanl\u0131 bir mozaikten olu\u015ftu\u011funu hat\u0131rlat\u0131yor. Burada \u00e7okdillilik bir sorun de\u011fil temel bir de\u011fer olarak \u00f6ne \u00e7\u0131k\u0131yor. \u00c7\u00fcnk\u00fc yan yana ya\u015fayan diller birbirini besler ve insani tecr\u00fcbeyi daha da derinle\u015ftirip zenginle\u015ftirir.<\/p>\n\n\n\n

Ancak \u00dcryan,<\/em> yaln\u0131zca bu \u00e7e\u015fitlili\u011fi selamlayan bir metinle s\u0131n\u0131rl\u0131 kalm\u0131yor, dil adaleti meselesini de sorguluyor. Zira yerel diller e\u011fitimden ve medyadan d\u0131\u015fland\u0131\u011f\u0131nda asl\u0131nda ku\u015faklar\u0131n kendi haf\u0131zalar\u0131yla kurduklar\u0131 ba\u011f da kopar\u0131lm\u0131\u015f oluyor. Bir ba\u015fka \u015fiirinde (s. 28-29) kendi kendine seslenen \u015fair \u015f\u00f6yle diyor:<\/p>\n\n\n\n

\u201cKif k\u0131nt f\u00eeni \u0131vret el-beyt
Va \u0131trek
\ufea1ik\u00e2y\u00e2t sittiy?
Kif kint f\u00eeni \u0131vret el-ard\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
Va \u0131nsa
Il-mavav\u00eel illi nkatbo
Bi\u0639ara\u1e33 cb\u00een c\u0131ddiy\u201d<\/p>\n\n\n\n

\u0643\u064a\u0641 \u0643\u0646\u0652\u062a \u0641\u064a\u0646\u064a \u0627\u064f\u0648\u0631\u064e\ufe9a \u0627\u0644\u0628\u064a\u062a
\u0648\u0627\u062a\u0631\u0643 \u062d\u0643\u0627\u064a\u0627\u062a \u0633\u0650\u062a\u0651\u064a
\u0643\u064a\u0641 \u0643\u0646\u0652\u062a \u0641\u064a\u0646\u064a \u0627\u064f\u0648\u0631\u064e\ufe9a \u0627\u0644\u0623\u0631\u0636
\u0648\u0627\u0646\u0633\u0649 \u0627\u0644\u0645\u0648\u0627\u0648\u064a\u0644 \u0627\u0644\u0644\u064a \u0627\u0646\u0643\u062a\u0628\u062a \u0628\u0639\u0631\u0642 \u062c\u0628\u064a\u0646 \u062c\u062f\u0651\u064a<\/p>\n\n\n\n

(Miras al\u0131p baba evini<\/em>
Nas\u0131l b\u0131rak\u0131rd\u0131m<\/em>
Nenemin hikayelerini<\/em><\/p>\n\n\n\n

Ata topra\u011f\u0131n\u0131 miras\u0131 al\u0131p<\/em>
Nas\u0131l unuturdum<\/em>
Dedemin al\u0131n teriyle<\/em><\/p>\n\n\n\n

Yaz\u0131lan m\u00fcvellerini)<\/em><\/p>\n\n\n\n

Bu dizeler, anadilin yitirilmesinin ne denli a\u011f\u0131r bir kay\u0131p oldu\u011funu a\u00e7\u0131k\u00e7a g\u00f6steriyor. Anadilin mataras\u0131nda masallar\u0131n, halk \u015fark\u0131lar\u0131n\u0131n ve atalar\u0131n al\u0131n teri birikir. Dil adaleti ise bireylerin ve topluluklar\u0131n kendi dillerini ve diyalektlerini \u00f6zg\u00fcrce kullanabilmelerinin tan\u0131nmas\u0131, ba\u015fka dilleri d\u0131\u015flayan egemen bir dile mahk\u00fbm edilmemesi anlam\u0131na geliyor. Buna kar\u015f\u0131n, T\u00fcrkiye\u2019deki \u00fcniversitelerin Arap Dili ve Edebiyat\u0131 b\u00f6l\u00fcmlerinin dahi Arap\u00e7an\u0131n bu diyalektlerine mesafeli yakla\u015fmas\u0131 dikkat \u00e7ekicidir. Bu b\u00f6l\u00fcmlerdeki d\u0131\u015flay\u0131c\u0131 tutumlar, diyalektlerin marjinalle\u015ftirilme sorununu daha da derinle\u015ftirmektedir.<\/p>\n\n\n\n

Bu a\u00e7\u0131dan bak\u0131ld\u0131\u011f\u0131nda \u00dcryan<\/em>, kimli\u011fin ve haf\u0131zan\u0131n ta\u015f\u0131y\u0131c\u0131s\u0131 olan marjinalle\u015ftirilmi\u015f dillerin tan\u0131nmas\u0131 ve kabul edilmesi y\u00f6n\u00fcnde bir \u00e7a\u011fr\u0131 i\u00e7eren edeb\u00ee bir metin olarak da okunabilir.<\/p>\n\n\n\n

\u201cL\u00e2 t\u0639\u00e2tb\u00eeni y\u00e2 n\u00e2r\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0
M\u0131n ba\u0639d m\u00e2 s\u0131rt muv\u00e2ten \u0131d-d\u0131niy
B\u0131sma\u0639 kill il-lu\ufecd\u00e2t<\/p>\n\n\n\n

\u0130lli b\u0131l-\u0639\u00e2lam bt\u0131n\ufea1\u0131kiy\u201d<\/p>\n\n\n\n

\u0644\u0627 \u062a\u0639\u0627\u062a\u0628\u064a\u0646\u064a \u064a\u0627 \u0646\u0627\u0631
\u0645\u0650\u0646\u0652 \u0628\u064e\u0639\u0652\u062f \u0645\u0627 \u0635\u0631\u0652\u062a \u0645\u0648\u0627\u0637\u0646 \u0627\u0644\u062f\u0646\u064a
\u0628\u0633\u0652\u0645\u064e\u0639 \u0643\u0644 \u0627\u0644\u0644\u063a\u0627\u062a \u0627\u0644\u0644\u064a \u0628\u0627\u0644\u0639\u0627\u0644\u0645 \u0628\u062a\u0646\u062d\u0643\u064a<\/p>\n\n\n\n

(Beni yarg\u0131lama ey ate\u015f<\/em>
D\u00fcnya vatanda\u015f\u0131 oldu\u011fumdan beri<\/em>
Duyar\u0131m yery\u00fcz\u00fcnde konu\u015fulan<\/em>
T\u00fcm dilleri:)<\/em><\/p>\n\n\n\n

Bu dizelerin (s. 30-31) \u015fairi, t\u00fcm dillere a\u00e7\u0131k evrensel aidiyetini dile getirirken yerel sesinden vazge\u00e7mez. Bu durum, modern insan\u0131n varolu\u015fundaki temel paradoksu yans\u0131t\u0131r: D\u00fcnyaya a\u00e7\u0131l\u0131rken yerelli\u011fini yitirmemek.<\/p>\n\n\n\n

\u00dcryan<\/em>\u2019\u0131n \u015fiirleri Antakya Arap diyalektine yaslansa da mek\u00e2n\u0131n s\u0131n\u0131rlar\u0131yla k\u0131s\u0131tl\u0131 kalmaz, aksine insana dair varolu\u015fsal sorulara do\u011fru geni\u015fler. \u201cM\u00e2 Hayyin\u201d (Kolay De\u011fil) adl\u0131 \u015fiirinde \u015fair, insan\u0131n evren kar\u015f\u0131s\u0131ndaki yaln\u0131zl\u0131\u011f\u0131n\u0131 \u015f\u00f6yle dile getirir (s. 10-11):<\/p>\n\n\n\n

\u201cM\u00e2 hayyin
3ala n-n\u0131cmi l-banafsiciyyi
F\u00ee va\u062dd\u00e2niyyit
Mely\u00fbn seni dav’iyyi
T\u062d\u00e2fez \u0639ala amal\u00e2
Va f\u00ee \u015fatt el-mu\u062d\u00eet
3ala \u062dabb\u0131t ram\u0131l
M\u00e2tdayye\u0639 nafs\u00e2\u201d\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n

\u0645\u0627 \u0647\u064a\u0651\u0646
\u0639\u0644\u0649 \u0627\u0644\u0646\u062c\u0645\u0629 \u0627\u0644\u0628\u0646\u0641\u0633\u062c\u064a\u0629
\u0641\u064a \u0648\u062d\u062f\u0627\u0646\u064a\u0651\u0629
\u0645\u0644\u064a\u0648\u0646 \u0633\u0646\u0629 \u0636\u0648\u0626\u064a\u0651\u0629
\u062a\u062d\u0627\u0641\u0638\u0652 \u0639\u0644\u0649 \u0623\u0645\u0644\u0647\u0627
\u0648\u0641\u064a \u0634\u0637\u0651 \u0627\u0644\u0645\u062d\u0650\u064a\u0637
\u0639\u0644\u0649 \u062d\u0628\u0651\u0629 \u0631\u0645\u0644
\u0645\u0627 \u062a\u0636\u064a\u0651\u0639 \u0646\u0641\u0633\u0647\u0627<\/p>\n\n\n\n

(Kolay de\u011fil<\/em>
Milyon \u0131\u015f\u0131k y\u0131l\u0131 yaln\u0131zl\u0131\u011f\u0131nda<\/em>
Mor bir y\u0131ld\u0131z\u0131n<\/em>
Korumas\u0131 emelini<\/em>
Ve bir okyanus kumsal\u0131nda<\/em>
Bir kum tanesinin<\/em>
Kaybetmemesi benli\u011fini)<\/em><\/p>\n\n\n\n

\u015eiiri yerel bir dilde okuruz ama bar\u0131nd\u0131rd\u0131\u011f\u0131 sorular evrenseldir: Tekil \u00f6zne \u00e7o\u011funlu\u011fun bask\u0131s\u0131 alt\u0131nda kendini nas\u0131l koruyabilir? \u0130nsan, varolu\u015fun enginli\u011fi kar\u015f\u0131s\u0131nda ruhunu nas\u0131l muhafaza eder?<\/p>\n\n\n\n

D\u00fc\u015fer, b\u00f6ylece Antakya\u2019da konu\u015fulan Arap diyalektinin yaln\u0131zca halk belle\u011finin bir ta\u015f\u0131y\u0131c\u0131s\u0131 olmad\u0131\u011f\u0131n\u0131, ayn\u0131 zamanda insan\u0131n kaderi \u00fczerine d\u00fc\u015f\u00fcnmeye imk\u00e2n veren, varolu\u015fu sorgulayabilen bir dil oldu\u011funu da g\u00f6stermi\u015f olur.<\/p>\n\n\n\n

\n\n\n\n

* Yaz\u0131n\u0131n ilk Arap\u00e7a yay\u0131mland\u0131\u011f\u0131 yer: Su\u00e7in, Mehmet Hakk\u0131.2025. \u201cAnt\u00e2ky\u00e2 Tetekellemu \u015ei\u2018ran Arabiyyen Ma\u1e25kiyyen\u201d, Mecelletu Kit\u00e2b <\/em>85 (Kas\u0131m): 53.<\/p>\n\n\n\n

[1]<\/a> Dizeler, eserde yaz\u0131ld\u0131klar\u0131 gibi aynen aktar\u0131lm\u0131\u015ft\u0131r.<\/p>\n","protected":false},"excerpt":{"rendered":"

Mehmet Hakk\u0131 Su\u00e7in \u015eair Mehmet D\u00fc\u015fer, \u00dcryan adl\u0131 \u015fiir kitab\u0131yla Arap\u00e7a-T\u00fcrk\u00e7e \u015fiir evreninde ender rastlanan bir deneyim sunuyor.* \u015eiirlerini T\u00fcrkiye\u2019nin g\u00fcneyinde konu\u015fulan Antakya Arap diyalektiyle kaleme alan D\u00fc\u015fer, uzun y\u0131llar boyunca resm\u00ee dil T\u00fcrk\u00e7e ile Modern Standart Arap\u00e7a aras\u0131nda s\u0131k\u0131\u015f\u0131p kalm\u0131\u015f, \u00e7o\u011fu zaman marjinalle\u015ftirilmi\u015f dil ya da yaln\u0131zca \u201cev dili\u201d olarak g\u00f6r\u00fclm\u00fc\u015f bir dilsel yap\u0131y\u0131 […]<\/p>\n","protected":false},"author":1,"featured_media":1264,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[1,6],"tags":[],"class_list":{"0":"post-1209","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-anadili","8":"category-kultur"},"yoast_head":"\nAntakya, Yerel Arap Diyalektiyle \u015eiir Yaz\u0131yor - ehlen<\/title>\n<meta name=\"description\" content=\"Bu dizelerde \u015fair, tarihe k\u00f6k salm\u0131\u015f Antakya\u2019n\u0131n mek\u00e2nsal boyutuyla, \u015fehrin bellekte as\u0131l\u0131 kalan imgesinin lirik boyutunu bir araya getiriyor. 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