{"id":937,"date":"2025-06-29T08:55:15","date_gmt":"2025-06-29T08:55:15","guid":{"rendered":"https:\/\/ehlendergisi.com\/?p=937"},"modified":"2025-06-29T12:10:55","modified_gmt":"2025-06-29T12:10:55","slug":"edward-saidi-hatirlamak","status":"publish","type":"post","link":"https:\/\/ehlendergisi.com\/index.php\/2025\/06\/29\/edward-saidi-hatirlamak\/","title":{"rendered":"Edward Said\u2019i Hat\u0131rlamak"},"content":{"rendered":"\n

 Mustafa Kemal Ers\u00f6z <\/strong><\/p>\n\n\n\n

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San\u0131r\u0131m ilk defa doksanl\u0131 y\u0131llar\u0131n ortalar\u0131na do\u011fru Parliament Sinema Kul\u00fcb\u00fc\u2019n\u00fcn sundu\u011fu Pazar Gecesi Filmleri ku\u015fa\u011f\u0131nda izledi\u011fimden bu yana Gelece\u011fe D\u00f6n\u00fc\u015f filmini \u00e7ok seviyorum. \u00d6yle filmlere dair geli\u015fkin bir gustom oldu\u011fundan ya da filmlere dair g\u00f6r\u00fc\u015fleri olan bir sinefil oldu\u011fumdan de\u011fil daha basit bir nedenle hayat\u0131m boyunca beni takip etti\u011fini fark etti\u011fim \u00e7ocuk\u00e7a bir fantezime tekab\u00fcl etti\u011fi i\u00e7in bug\u00fcne de\u011fin seriyi defalarca izlememe ra\u011fmen hep severek izlemeye devam ettim. <\/p>\n\n\n\n

 O g\u00fcnlerden bug\u00fcne kadar ge\u00e7en on y\u0131llar boyunca ne zaman hayat\u0131mda a\u00e7mazlara d\u00fc\u015fsem, ya\u015fam gailesi kar\u015f\u0131s\u0131nda, yeti\u015fkin sorumluluklar\u0131 kar\u015f\u0131s\u0131nda yorgun d\u00fc\u015f\u00fcp t\u00f6kezlesem m\u00fctemadiyen hep iki binli y\u0131llar\u0131n ba\u015f\u0131na geri d\u00f6nebilmeyi hayal ederim.  O y\u0131llara geri d\u00f6n\u00fcp yanl\u0131\u015f giden bir \u015feyleri ya da ki\u015fisel tarihimi sihirli bir dokunu\u015fla d\u00fczeltmek i\u00e7in de\u011fil daha ziyade sonsuza de\u011fin o y\u0131llarda ya\u015fay\u0131p kalabilmek i\u00e7in hep bu fantastik hayale ka\u00e7ar\u0131m. \u00c7\u00fcnk\u00fc san\u0131r\u0131m \u00e2\u015f\u0131k oldu\u011fum herkese ve her \u015feye o y\u0131llarda \u00e2\u015f\u0131k oldum. <\/p>\n\n\n\n

 O y\u0131llardan bu yana ge\u00e7en \u00e7eyrek as\u0131r ilk gen\u00e7li\u011fin ya\u015fama ve d\u00fcnyaya i\u015ftiyak dolu Big-banginin ard\u0131ndan ayn\u0131 a\u015fklar\u0131n y\u00f6r\u00fcngelerine oturan kimilerine dudak u\u00e7uklat\u0131c\u0131 gelebilecek \u00e7ok tehlikeli maceralar, ba\u015f d\u00f6nd\u00fcr\u00fcc\u00fc ser\u00fcvenler, b\u00fcy\u00fck \u00e7uvallamalar, ak\u0131l almaz fiyaskolar, uzun s\u00fcren yarg\u0131lanmalar ve kimi kayda de\u011fmez ba\u015far\u0131larla ayn\u0131 d\u00f6ng\u00fcde kendini farkl\u0131 bi\u00e7imlerde tekrar edip duran y\u0131llardan ibaret ge\u00e7ip gitti.<\/p>\n\n\n\n

Edward Said\u2019le de i\u015fte o ilk gen\u00e7lik y\u0131llar\u0131mda tan\u0131\u015ft\u0131m. Tamamen rastlant\u0131sal ama belki de yazg\u0131sal olarak tan\u0131\u015ft\u0131k onunla ve bu kesinlikle bir ilk g\u00f6r\u00fc\u015fte a\u015fk de\u011fildi. Tan\u0131\u015fmam\u0131z olduk\u00e7a me\u015fakkatli ve bir o kadar gel-gitli oldu. Ondan s\u0131k\u0131lmamay\u0131 \u00f6\u011frenmem gerekti. Kendimde ve zihnimde ona hacimler a\u00e7mam gerekti ve belki de en zoru onun u\u011fruna de\u011fi\u015fmem gerekti. Ancak el-nihayetinde tesad\u00fcfen ba\u015flayan bu ili\u015fki u\u011fruna m\u00fccadele edilmi\u015f hatta ger\u00e7ek bir sava\u015f verilmi\u015f dayanaklar\u0131 olan sahici bir a\u015fka d\u00f6n\u00fc\u015ft\u00fc.<\/p>\n\n\n\n

Edward Said\u2019le tan\u0131\u015ft\u0131\u011f\u0131mda ehli-s\u00fcnnet\u2019ten amelde Hanefi itikatta M\u00e2t\u00fcr\u00eedi bir tarikat\u0131n yurdunda yat\u0131l\u0131 \u00f6\u011frenci olarak ya\u015f\u0131yordum. Kuran-\u0131 Kerim\u2019den, Risale-i Nur\u2019dan ba\u015fkaca kitap bilmiyordum. G\u00fcnlerim daha fazla soru bankas\u0131, deneme s\u0131nav\u0131, yaprak test \u00e7\u00f6zmeye te\u015fvik edilmekle ge\u00e7iyordu. G\u00fcnlerim \u00f6zellikle sabah ve tehecc\u00fcd namazlar\u0131m\u0131 aksatmamak, tesbihatlar\u0131m\u0131 ve istiare uykular\u0131m\u0131 ihmal etmemek, kametsiz ve cemaatsiz namaz k\u0131lmaktan sak\u0131nman konusunda telkinler almakla ge\u00e7iyordu. Her \u015fey de gayet yolunda g\u00f6r\u00fcn\u00fcyordu. Namazlar\u0131m\u0131 muntazaman eda ediyor. S\u0131navlar\u0131mda vasat \u00fcst\u00fc say\u0131labilecek muvaffakiyetler g\u00f6steriyordum.  Gayet uyumluydum aksini i\u015faret eden hi\u00e7bir emare yoktu. Umut ba\u011flanan, hakk\u0131nda gelecek hayalleri kurulan d\u00f6rt ba\u015f\u0131 mamur bir \u015fakirttim. \u00d6yle ki k\u0131sa say\u0131labilecek bir s\u00fcrede kat sorumlulu\u011funa oradan da imam \u00f6\u011frencili\u011fe terfi ettirilmi\u015ftim. Ama hi\u00e7bir \u015fey g\u00f6r\u00fcnd\u00fc\u011f\u00fc gibi de\u011fildi. \u015eeytan\u0131m b\u00fcy\u00fck olsa gerek i\u00e7imden bir ses beni d\u0131\u015far\u0131ya \u00e7a\u011f\u0131r\u0131yordu. D\u0131\u015far\u0131y\u0131 merak ediyordum. Bir \u015feyler, t\u00fcm bu \u015feyler bana yetmiyordu. Ate\u015f beni \u00e7a\u011f\u0131r\u0131yordu.<\/p>\n\n\n\n

Zamanla her g\u00fcn yapt\u0131\u011f\u0131m\u0131n aksine okuldan yahut Saray caddesinin ba\u015f\u0131ndaki dershaneden \u00e7\u0131kar \u00e7\u0131kmaz yurda d\u00f6nmek yerine Saray caddesinde tek ba\u015f\u0131ma gezinmeye ba\u015flad\u0131m. Kiliseler g\u00f6r\u00fcyordum.  Hristiyan isimli kuyumcu, g\u00fcm\u00fc\u015f\u00e7\u00fc tabelalar\u0131, ocak ba\u015f\u0131 meyhaneleri, birahaneler, i\u00e7ki i\u00e7en insanlar bunlar\u0131n hepsi bende bug\u00fcn dahi tarifi bir hayli g\u00fc\u00e7 bir ke\u015fif duygusu uyand\u0131r\u0131yordu.  Her ge\u00e7en g\u00fcn gezintilerimin s\u00fcresi uzuyordu. Mesul abilerimin zinhar uzak durmam\u0131 tembihledikleri sol parti ve derneklerinin k\u00f6hne i\u015fhanlar\u0131na as\u0131l\u0131 tabelalar\u0131na bak\u0131yordum. \u0130\u00e7imde k\u0131\u015fk\u0131rt\u0131c\u0131 bir merak uyan\u0131yordu.  En \u00e7ok da her g\u00fcn biraz uza\u011f\u0131nda durup vitrinine bak\u0131nd\u0131\u011f\u0131m kitapevini merak ediyordum.  Giderek artan merak\u0131ma yenik d\u00fc\u015ferek b\u00fct\u00fcn hayat\u0131m\u0131 k\u00f6k\u00fcnden de\u011fi\u015ftirecek o \u015feyi yapt\u0131m. Bir g\u00fcn t\u00fcm cesaretimi toplay\u0131p Yener Kitapevinin kap\u0131s\u0131ndan i\u00e7eri girdim. Saatlerce kitaplar\u0131n aras\u0131nda gezindim. Ve bunu takip eden vakitlerde neredeyse her g\u00fcn yapmaya devam ettim. O g\u00fcne de\u011fin hi\u00e7bir namaz\u0131mda, tesbihad\u0131mda duyamad\u0131\u011f\u0131m hu\u015fu ve s\u00fck\u00fbneti kitaplar\u0131n aras\u0131nda gezinmekte bulmu\u015ftum. Kitaplar\u0131n kapaklar\u0131na bak\u0131yor, arka kapak yaz\u0131lar\u0131n\u0131, \u00f6ns\u00f6zlerini okuyordum. Hatta baz\u0131 ince kitaplar\u0131 orada ayak \u00fczeri okuyup bitiriyordum.<\/p>\n\n\n\n

Oradan ilk sat\u0131n ald\u0131\u011f\u0131m \u015fey Mor ve \u00d6tesi\u2019nin D\u00fcnya Yalan S\u00f6yl\u00fcyor kasetiydi. Daha sonra ise bug\u00fcn bile hala hi\u00e7 bilmedi\u011fim bir nedenle Ciwan Haco\u2019nun Nisabine Rengin kasetini ald\u0131m. Kald\u0131\u011f\u0131m yurtta Yedi Karanfil, Yeni\u00e7a\u011f, Yusuf \u0130slam ve Dursun Ali Erzincanl\u0131 d\u0131\u015f\u0131nda herhangi bir m\u00fczik dinlemek yasak oldu\u011fundan yeni kasetlerimi \u015filtemin alt\u0131nda sakl\u0131yordum. Bir \u015feyleri gizlemeyi, kendimi gizlemeyi orada b\u00f6ylece \u00f6\u011frendim.  Her yaln\u0131z kald\u0131\u011f\u0131mda walkmanime yeni kasetlerimi tak\u0131p tekrar tekrar dinliyordum ama hi\u00e7bir \u015fey anlam\u0131yordum. Mor ve \u00f6tesi \u00e7ok g\u00fcr\u00fclt\u00fcl\u00fcyd\u00fc ve \u015fark\u0131 s\u00f6zleri benim i\u00e7in fazla alegorikti. Ciwan Haco ise zaten bilinmeyen bir dilin<\/em> bariyerlerine tak\u0131l\u0131yordu.<\/p>\n\n\n\n

Oradan ilk sat\u0131n ald\u0131\u011f\u0131m kitap ise Edward Said\u2019in \u015earkiyat\u00e7\u0131l\u0131k adl\u0131 kitab\u0131yd\u0131. Her yats\u0131 namaz\u0131n\u0131n ard\u0131ndan \u015filtemin alt\u0131ndan gizli meraklar\u0131m\u0131 \u00e7\u0131kar\u0131p, onlarla ha\u015f\u0131r ne\u015fir oluyordum ama ne var ki kitaptan da hi\u00e7bir \u015fey anlayam\u0131yordum. Anlayabilece\u011fimden umudu kesti\u011fimde yine Said\u2019in bug\u00fcn ismini an\u0131msayamad\u0131\u011f\u0131m Irak i\u015fgaline dair ABD medyas\u0131n\u0131n tavr\u0131n\u0131 if\u015fa eden bir bro\u015f\u00fcr\u00fcn\u00fc sat\u0131n ald\u0131m.  Bu defa bu k\u00fc\u00e7\u00fck bro\u015f\u00fcr\u00fc anlayabiliyordum. Anlad\u0131k\u00e7a da bu defa anlayamad\u0131\u011f\u0131m ba\u015fka sorular, sorunlar a\u00e7\u0131\u011fa \u00e7\u0131k\u0131yordu. ABD neydi? Irak neresiydi? Saddam kimdi? Ba\u015fbakan\u0131m\u0131z iyi biriydi ama neden Irak\u2019\u0131n i\u015fgaline kat\u0131lmak istiyordu?  D\u00fcnya yalan m\u0131 s\u00f6yl\u00fcyordu? D\u00fcnya neden yalan s\u00f6yl\u00fcyordu?<\/p>\n\n\n\n

Gittik\u00e7e \u00e7o\u011falan birbirinin pe\u015fine dizilen birbirine dolanan sorular\u0131n ard\u0131ndan bir g\u00fcn evden ka\u00e7t\u0131m ve bir daha hi\u00e7bir eve geri d\u00f6nemedim!<\/p>\n\n\n\n

\u0130\u015fte hayat\u0131m\u0131n bir ba\u015fka yol a\u011fz\u0131nda kendimi bir kez daha evden ka\u00e7m\u0131\u015f, yersiz-yurtsuz hissetti\u011fim bu g\u00fcnlerde az\u0131l\u0131 su\u00e7 orta\u011f\u0131m ve sevgili g\u0131yabi yol arkada\u015f\u0131m Edward Said\u2019i yeniden hat\u0131rl\u0131yorum ve ondan bahsetmek istiyorum ancak art\u0131k siz de biliyorsunuz ki herkese de\u011fil.<\/p>\n\n\n\n

EDWAREdward Said Hakk\u0131nda Bir Mektup<\/strong><\/strong><\/p>\n\n\n\n

\u00c7ok sevgili gen\u00e7 Mustafa Kemal,<\/p>\n\n\n\n

Umar\u0131m ilk mektubum sana ula\u015fabilmi\u015f ve olup-bitenin t\u00fcm sa\u00e7mal\u0131\u011f\u0131na ve tuhafl\u0131\u011f\u0131na ra\u011fmen mektubu okuyabilmi\u015fsindir. Bu \u00fcrk\u00fcnt\u00fc veren irtibat\u0131n tekrarlanmas\u0131n\u0131n sende ne gibi hisler uyand\u0131rd\u0131\u011f\u0131n\u0131 tahmin edemiyor olsam da bu ikinci mektubu yine de yazmak istiyorum. Bu ikinci mektubum da ilkinde oldu\u011fu gibi seninle tan\u0131\u015ft\u0131rmak istedi\u011fim bir arkada\u015f\u0131m hakk\u0131nda olacak. Dilerim okuyabilirsin.<\/p>\n\n\n\n

 Bu mektupta seninle tan\u0131\u015ft\u0131rmak istedi\u011fim arkada\u015f\u0131m\u0131n ismi Edward Said. Bu ismin sana biraz tuhaf gelebilece\u011fini \u00f6n g\u00f6rebiliyorum zira ben de ilk i\u015fitti\u011fimde biraz yads\u0131m\u0131\u015ft\u0131m.  Ama inan bana arkada\u015f\u0131m isminden \u00e7ok daha ilgi \u00e7ekici biridir.  Onun eserlerini ve ki\u015fili\u011fini analiz etme cesaretini g\u00f6steren herhangi biri \u015f\u00fcphesiz ki onun ki\u015fili\u011finin \u00e7ok y\u00f6nl\u00fcl\u00fc\u011f\u00fcne ve ilgi alanlar\u0131n\u0131n geni\u015fli\u011fine hayran kalacakt\u0131r. O ayn\u0131 zamanda hem bir kar\u015f\u0131la\u015ft\u0131rmal\u0131 edebiyat kuramc\u0131s\u0131 hem bir politik fikir insan\u0131 hem anti-emperyalist bir aktivist, bir h\u00fcmanist ve ya\u015fam\u0131n\u0131n her an\u0131nda iktidarlarla cebelle\u015fen amans\u0131z bir Parrhesiastest\u0131.  Sana onun hakk\u0131nda yazmaya kalk\u0131\u015fmak ise ba\u015fl\u0131 ba\u015f\u0131na heyecan verici ve bir o kadar da cesaret k\u0131r\u0131c\u0131. <\/p>\n\n\n\n

 Onun hakk\u0131nda bahsetmeye nereden ba\u015flayaca\u011f\u0131m\u0131 bilemiyorum ama san\u0131r\u0131m \u015furadan ba\u015flayabiliriz. \u00d6rne\u011fin uzmanl\u0131k alan\u0131 olan kar\u015f\u0131la\u015ft\u0131rmal\u0131 edebiyat, Said\u2019in hikayesi ve kimlik yakla\u015f\u0131mlar\u0131n\u0131 anlayabilmek i\u00e7in bize \u00f6nemli bir alan\/enstr\u00fcman sunabilir ama bu tek ba\u015f\u0131na yeterli de olmayabilir \u00e7\u00fcnk\u00fc bir Filistinli olarak kendi kimli\u011fi, onun eserlerinin y\u00f6n\u00fc ve i\u00e7eri\u011finde belirleyici olmu\u015ftu. O, kendini kal\u0131c\u0131 olarak yerinden koparm\u0131\u015f olan biriydi ama yine de memleketi olan Filistin onun belle\u011finin \u00e7ekirde\u011fidir diyebilirim.  Bu bellek toplumsal ve ki\u015fisel trajedinin, ki\u015fisel deneyim ve ki\u015fisel d\u00fc\u015f\u00fcncenin \u015fa\u015f\u0131rt\u0131c\u0131 bir terkibiydi. \u201c\u00d6teki\u201c<\/em>nin bir par\u00e7as\u0131 olan \u00e7ekirdek. Bunun sana \u015fu an i\u00e7in kafa kar\u0131\u015ft\u0131r\u0131c\u0131 geldi\u011fini biliyorum ama inan bana bir s\u00fcre sonra bu sana \u00e7ok tan\u0131d\u0131k gelecek.<\/p>\n\n\n\n

Arkada\u015f\u0131m, 1935\u2019te Birle\u015fik Krall\u0131k idaresindeki Kud\u00fcs\u2019te vars\u0131l, Filistinli Protestan bir ailenin o\u011flu olarak do\u011fdu.  Siyonist \u0130srail devletinin kurulmas\u0131ndan sonra \u00fclkesinden g\u00f6\u00e7mek zorunda kalan ailesiyle beraber Kahire\u2019ye iltica etti. Burada g\u00fc\u00e7l\u00fc bir Anglo-Sakson e\u011fitimi ald\u0131 ve daha sonra bir kez daha g\u00f6\u00e7 etmek zorunda kald\u0131\u011f\u0131 Amerika Birle\u015fik Devletleri\u2019nde lisans derecesini Princeton\u2019dan, lisans\u00fcst\u00fc ve doktora derecelerini Harvard\u2019dan ald\u0131. Daha sonra vefat\u0131na kadar Columbia \u00dcniversitesi\u2019nde \u0130ngiliz Dili ve K\u0131yaslamal\u0131 D\u00fcnya Edebiyat\u0131 profes\u00f6r\u00fc olarak \u00e7al\u0131\u015ft\u0131. Tunus\u2019taki s\u00fcrg\u00fcn Filistin Parlamentosu\u2019nda on d\u00f6rt y\u0131l g\u00f6rev yapan arkada\u015f\u0131m radikal bir entelekt\u00fcel, s\u00fcrg\u00fcn, marjinal, yabanc\u0131 ve \u00f6teki olarak hep provokatif ve elbette sars\u0131c\u0131 fikirler dile getirdi. Pek \u00e7ok a\u00e7\u0131dan ilham verici ama di\u011fer yandan da olduk\u00e7a tezat g\u00f6r\u00fcn\u00fcyor \u00f6yle de\u011fil mi?<\/p>\n\n\n\n

Ama tezatlar\u0131na ve par\u00e7alanm\u0131\u015f gibi g\u00f6r\u00fcnen kimlik ve benli\u011fine ra\u011fmen hi\u00e7 \u015f\u00fcphe duymamal\u0131s\u0131n ki o, m\u00fchim bir bilim insan\u0131, parlak bir zihin, insan onuru ad\u0131na m\u00fccadele eden fedak\u00e2r bir d\u00fc\u015f\u00fcn sava\u015f\u00e7\u0131s\u0131yd\u0131. \u00c7a\u011f\u0131n\u0131n en b\u00fcy\u00fck entelekt\u00fcel ve kamusal aktivistlerinden biriydi. \u00c7a\u011fda\u015f\u0131 \u00e7ok az ele\u015ftirmen yahut akademisyen d\u00fc\u015f\u00fcnce ve \u00f6\u011fretime ili\u015fkin onun kadar b\u00fcy\u00fck bir etki b\u0131rakabilmi\u015ftir.  Bana kalacak olursa muhtemelen ge\u00e7en y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131n\u0131n en b\u00fcy\u00fck entelekt\u00fcelinden biridir.<\/p>\n\n\n\n

 T\u00fcm bu sitayi\u015f dolu takdimime ard\u0131ndan sana da \u00e7ok tan\u0131d\u0131k gelecek ve belki de arkada\u015fl\u0131\u011f\u0131n\u0131z sebebi olabilecek ama kimleri i\u00e7in menfi bulunabilecek g\u00f6r\u00fc\u015flerimi de seninle payla\u015fmak isterim.  Bana soracak olursan \u00e7ocukluk ve gen\u00e7lik y\u0131llar\u0131 hakk\u0131nda yazd\u0131klar\u0131nda bazen se\u00e7ici ve bu nedenle de yan\u0131lt\u0131c\u0131 oldu\u011funa dair \u015f\u00fcpheler duymad\u0131m de\u011fil. Onu okurken hususiyetle otobiyografik eserlerinde bazan kendine ac\u0131ma e\u011filiminde oldu\u011funu zaman zaman hissettim. Bunlar\u0131n ne denli menfi \u015feyler oldu\u011funa dair hep \u015f\u00fcphe i\u00e7inde de oldum. Onunla tan\u0131\u015ft\u0131\u011f\u0131nda belki sen bu hususta bir yarg\u0131ya varabilirsin ama kesin yarg\u0131lar \u00f6zellikle de insanlar hakk\u0131nda kesin yarg\u0131lar konusunda temkinli olman\u0131 sal\u0131k veririm.<\/p>\n\n\n\n

\u0130\u015fte arkada\u015f\u0131m hep b\u00f6yle tart\u0131\u015fmal\u0131, ayr\u0131\u015ft\u0131r\u0131c\u0131 ve en az o kadar etkileyici bir \u015fahsiyetti. Ancak bu etkileyicilikte elbette yukar\u0131da sayd\u0131\u011f\u0131m hasletlerinin yan\u0131 s\u0131ra temsil ettikleri, eserleri ve ya\u015fam\u0131 da \u00f6nemli bir rol oynad\u0131. Bat\u0131 entelekt\u00fcel k\u00fclt\u00fcr\u00fcn\u00fcn, akademi, siyaset ve medya alanlar\u0131ndaki neredeyse t\u00fcm d\u00f6n\u00fcm noktalar\u0131nda o da ordayd\u0131.  Misal 1970\u2019lerde ve 1980\u2019lerde sosyoloji ve antropoloji alanlar\u0131nda ger\u00e7ekle\u015fen dramatik de\u011fi\u015fikliklerde oradayd\u0131. Teori devriminin, akademik solun y\u00fckseli\u015finin ve s\u00f6m\u00fcrge sonras\u0131 kuram\u0131n filizlendi\u011fi s\u00fcre\u00e7te o t\u00fcm bu alanlar\u0131n en parlak \u00f6nc\u00fclerinden biri olmay\u0131 ba\u015fard\u0131. Hatta edebi teorinin y\u00fckseli\u015finde de merkezi bir fig\u00fcr oldu. \u0130lk ele\u015ftirel makaleleri, yukar\u0131da bahsetti\u011fim d\u00f6n\u00fc\u015f\u00fcm zamanlar\u0131nda haklar\u0131nda en g\u00fcncel ve ate\u015fli tart\u0131\u015fmalar\u0131n y\u00fcr\u00fct\u00fcld\u00fc\u011f\u00fc kimseler olan Barthes, Levi-Strauss, Saussure ve Jakobson ile dolup ta\u015fmaktayd\u0131. 1970\u2019lerin ba\u015f\u0131nda ilk makalelerini Foucault \u00fczerine yazd\u0131. \u0130lk b\u00fcy\u00fck kitab\u0131, Ba\u015flang\u0131\u00e7lar (1975), onu Amerika\u2019n\u0131n \u00f6nde gelen edebiyat kuramc\u0131lar\u0131ndan biri yapt\u0131. Bu onun i\u00e7in muhte\u015fem bir ba\u015flang\u0131\u00e7t\u0131. Her \u015feyi, \u00f6zellikle de teori devriminin kanonik isimlerini Marx, Nietzsche ve Freud, Saussure, Frans\u0131z yap\u0131salc\u0131lar\u0131 ve post-yap\u0131salc\u0131lar\u0131 okumu\u015ftu. Hen\u00fcz 70\u2019li y\u0131llarda 80\u2019li y\u0131llardaki edebi ele\u015ftiriye h\u00e2kim olacak fikirlere hali haz\u0131rda sahipti ve bu fikirler 1978 y\u0131l\u0131nda yay\u0131nlanan benim anlayabilmemin y\u0131llar\u0131m\u0131 ald\u0131\u011f\u0131 \u00fcnl\u00fc eseri \u015earkiyat\u00e7\u0131l\u0131\u011f\u0131n temellerini att\u0131.<\/p>\n\n\n\n

 Bat\u0131 \u00fcniversiteleri Marksizm\u2019in ve yeni solun son kalesi haline geldi\u011finde, o, zaten herkesin \u00f6n\u00fcndeydi. 1980\u2019li y\u0131llar\u0131n ba\u015f\u0131nda Columbia\u2019da \u00e7al\u0131\u015f\u0131rken, Gramsci, Lukacs ve Raymond Williams hakk\u0131nda dersler veriyordu. Bat\u0131l\u0131 Marksist teorinin tamam\u0131n\u0131 okumu\u015f ve ihtiya\u00e7 halinde hemen al\u0131nt\u0131 yapacak hale gelmi\u015fti. Fakat t\u00fcm bunlar ona yetmedi sen de hep b\u00f6yle yap olur mu?  Asla kendinden, halihaz\u0131r durumundan memnun olma, asla oldu\u011fun yerle yetinme!  O \u00f6yle yapt\u0131. 1980\u2019lerin ortalar\u0131nda, bir Filistinli olarak hem teorik ilgisini hem de ki\u015fisel deneyimlerini birle\u015ftirebilecek yeni bir \u00fcslup, bir dil aramaya koyuldu.  Bunun i\u00e7in kendine Fanon, Rushdie, Marquez gibi yeni g\u0131yabi akranlar, arkada\u015flar edindi.   Benim de b\u00fcy\u00fck hayranl\u0131k duydu\u011fum bu m\u00fchim \u015fahsiyetlerle senin de mutlaka tan\u0131\u015fabilmeni isterim. Hususiyetle de Fanon ile tan\u0131\u015fman\u0131 muhakkak ama muhakkak isterim.<\/p>\n\n\n\n

 Konumuza geri d\u00f6necek olursak h\u00fclasa neredeyse otuz y\u0131l boyunca, entelekt\u00fcel trendler nereye do\u011fru y\u00f6nelse arkada\u015f\u0131m zaten oradayd\u0131. Moda oldu\u011fu i\u00e7in orada de\u011fildi. Aksine halk\u0131n\u0131n trajedisi ve kendisinin ki\u015fisel deneyimleriyle b\u00fct\u00fcnle\u015ftirebilece\u011fi yeni, \u00f6zg\u00fcn fikirler bulmak i\u00e7in hep bir aray\u0131\u015f i\u00e7inde oldu\u011fundan oradayd\u0131. Fikirlerin ge\u00e7ersizle\u015fti\u011fini, i\u015flevsizle\u015fti\u011fini anlad\u0131\u011f\u0131nda asla o inan\u00e7lara Ortodoks bir imanla saplanmad\u0131 hep daha iyisi i\u00e7in yoluna devam etti. <\/p>\n\n\n\n

 Ama \u00e7a\u011f\u0131n\u0131n \u015fahidi ve faili olan bu tavr\u0131 sadece d\u00fc\u015f\u00fcnsel ve akademik ba\u011flamlarla s\u0131n\u0131rl\u0131 de\u011fildi. Hatta onun i\u00e7in siyasi ba\u011flam daha da \u00f6nemliydi. Her \u015feyden \u00f6nce, o, Bat\u0131 liberallerini ve sol ayd\u0131nlar\u0131n\u0131 ayr\u0131\u015ft\u0131ran Filistin ve siyonizm konusunda \u015fim\u015fekleri \u00fczerine \u00e7eken bir paratoner olabilme cesaretini g\u00f6stermi\u015fti. S\u00f6m\u00fcrgecili\u011fin miras\u0131 ve Bat\u0131 ile Bat\u0131 olmayan aras\u0131ndaki ili\u015fkileri geni\u015f bir temaya oturtarak \u00e7\u00f6z\u00fcmlemeye \u00e7al\u0131\u015ft\u0131. Filistin sorunu ve siyonist i\u015fgali dar bir b\u00f6lgesel sorun \u00e7er\u00e7evesinden \u00e7\u0131kar\u0131p onu Bat\u0131n\u0131n s\u00f6m\u00fcrgecilik tarihinin i\u00e7ine yerle\u015ftirdi. \u00c7\u00fcnk\u00fc ona g\u00f6re ve hakikatte de siyonist \u0130srail, Portekiz s\u00f6m\u00fcrgecili\u011fidir, Zimbabwe\u2019de beyaz y\u00f6netimidir ve G\u00fcney Afrika\u2019da apartheid rejimidir. Ve t\u00fcm bunlar\u0131 ayr\u0131cal\u0131kl\u0131 konumunu riske etme pahas\u0131na, akademik ve entelekt\u00fcel camiadan tecrit edilme riskine ra\u011fmen bat\u0131n\u0131n medya zirvelerinde Le Monde, New York Times, Time, BBC\u2019de yal\u0131n bir ak\u0131c\u0131l\u0131kla, cesaretle ve b\u00fcy\u00fck bir kabiliyetle anlatt\u0131.  <\/p>\n\n\n\n

Bir kuramc\u0131 ve polemik\u00e7i olarak hayat\u0131n\u0131n b\u00fcy\u00fck b\u00f6l\u00fcm\u00fcn\u00fc Filistin davas\u0131n\u0131 ve daha sonra ise her yerdeki s\u00f6m\u00fcrge halklar\u0131 savunmaya adad\u0131. B\u00f6ylelikle \u00f6tekilerin sesi oldu. Yery\u00fcz\u00fcn\u00fcn lanetlileri<\/em>\u2019nin temsilcisi oldu \u00f6yle ki t\u0131pk\u0131 \u015fu an benim yapt\u0131\u011f\u0131m gibi hayat\u0131na ve eserlerine yap\u0131lan en anlaml\u0131 \u00f6vg\u00fcler ABD ve \u0130ngiltere\u2019nin kar\u015f\u0131la\u015ft\u0131rmal\u0131 edebiyat b\u00f6l\u00fcmlerinden de\u011fil, Filistin\u2019deki, K\u00fcrdistan\u2019daki, Irak\u2019taki ve benzer kaderleri ya\u015fayan s\u00f6m\u00fcrgele\u015ftirilmi\u015f yahut do\u011frudan i\u015fgal edilmi\u015f \u00fclkelerdeki gen\u00e7 ayd\u0131nlardan geldi.<\/p>\n\n\n\n

Arkada\u015f\u0131m, b\u00fcy\u00fck bir entelekt\u00fcel h\u0131rsa sahip cesur bir d\u00fc\u015f\u00fcn\u00fcrd\u00fc. Oryantalizm, K\u00fclt\u00fcr ve Emperyalizm gibi kapsaml\u0131, \u00e7etrefil ve b\u00fcy\u00fck meseleler \u00fczerine \u00e7al\u0131\u015fm\u0131\u015ft\u0131: Bat\u0131\u2019n\u0131n y\u00fczy\u0131llar boyunca Do\u011fuyu nas\u0131l d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc, Dante\u2019den T.E. Lawrance\u2019a, edebiyattan, antropolojiye, filolojiye ve seyahat yaz\u0131lar\u0131na,16. y\u00fczy\u0131l \u0130rlanda\u2019s\u0131ndan, Avustralya\u2019daki Magwitch\u2019e, Jane Austen\u2019den Kuzey Afrika\u2019daki Camus\u2019ya uzanan geni\u015f bir yelpazede a\u00e7\u0131klamaya giri\u015fti. Tarih ve edebiyat, m\u00fczik ve felsefe gibi farkl\u0131 disiplinleri birle\u015ftirmeye en az\u0131ndan aralar\u0131ndaki s\u0131n\u0131rlar\u0131 ge\u00e7i\u015fken k\u0131lmaya \u00e7al\u0131\u015ft\u0131. <\/p>\n\n\n\n

Ona g\u00f6re iktidar sadece askeri, siyasi veya ekonomik g\u00fc\u00e7 de\u011fildi. Bilgi ile iktidar aras\u0131ndaki ili\u015fki onun eserlerinin kalbinde yatmaktad\u0131r. Entelekt\u00fcel huzursuzlu\u011funun b\u00fcy\u00fck bir k\u0131sm\u0131n\u0131 emperyalizm veyahut iktidar\u0131n k\u00fclt\u00fcrel g\u00fc\u00e7 ile nas\u0131l ba\u011flant\u0131land\u0131\u011f\u0131n\u0131 ara\u015ft\u0131rmak ve a\u00e7\u0131klamak olu\u015fturdu.<\/p>\n\n\n\n

T\u00fcm bu cesur ve iddial\u0131 g\u00f6r\u00fc\u015flerini pek \u00e7ok bak\u0131mdan edepli ve insanc\u0131l bir sesle, tonla dillendirdi. O, k\u00f6ktendincili\u011fe her zaman kar\u015f\u0131 \u00e7\u0131kt\u0131 ve laiklik onun i\u00e7in her zaman \u00f6nemli bir konu oldu. Bize d\u00fcnyay\u0131 indirgenemez \u015fekilde kar\u0131\u015f\u0131k, heterojen ve \u00e7eli\u015fkili g\u00f6rmenin muhte\u015fem bir ifadesini b\u0131rakt\u0131.<\/p>\n\n\n\n

Ondan \u00f6nce \u00e7ok az kimse oryantalizm, s\u00f6m\u00fcrgecilik, Filistin sorunu, emperyalizm ve k\u00fclt\u00fcr meseleleri hakk\u0131nda b\u00f6ylesine yetkin ve iddial\u0131ca yazabildi.  Ondan sonra art\u0131k \u00e7ok az ki\u015fi Bat\u0131da Do\u011fuyu eskisi gibi d\u00fc\u015f\u00fcnmeye ve yazmaya devam edebilir.<\/p>\n\n\n\n

 Nihayet arkada\u015f\u0131m etkileyici bir teorisyen, uyar\u0131c\u0131 bir \u00f6\u011fretmen, elinden gelenin en iyisini yapan bir makale yazar\u0131, Filistinlilerin k\u00fcresel \u00e7apta y\u0131lmaz bir avukat\u0131 ve belki de hepsinden \u00f6nemlisi d\u00fcnyaya, tarihe ve topluma kar\u015f\u0131 sorumluluk duyan, sorumluluk alan, \u201ctanklara kar\u015f\u0131 ta\u015f atan\u201d,<\/em> iktidar sahiplerine kar\u015f\u0131 kendini g\u00fc\u00e7s\u00fcz\u00fcn yan\u0131nda konumland\u0131ran, g\u00fc\u00e7l\u00fcye kar\u015f\u0131 hakikati s\u00f6yleyen hakiki bir entelekt\u00fceldi. <\/p>\n\n\n\n

Umar\u0131m sen de vakti geldi\u011finde arkada\u015f\u0131mla tan\u0131\u015fabilir ve onu benim kadar sevebilirsin.<\/p>\n\n\n\n

Bir g\u00fcn evden ka\u00e7acak cesareti kendinde bulursan, arkada\u015f\u0131m\u0131n iyi bir yol arkada\u015f\u0131 oldu\u011funa emin olabilirsin. Onu da yan\u0131na almay\u0131 ihmal etme ve bir de Behrengi\u2019yi de!<\/p>\n\n\n\n

Ve her t\u00f6kezledi\u011finde \u015funu hep hat\u0131rla: \u201cVe lel \u00e2h\u0131ratu hayrun leke minel \u00fbl\u00e2.\u2019\u2019 (Ve senin i\u00e7in sonu ba\u015f\u0131ndan daha iyi olacakt\u0131r)<\/em><\/p>\n\n\n\n

\u015eimdilik ho\u015f\u00e7a kal sevgili gen\u00e7 dostum.<\/p>\n\n\n\n

Gelecekte g\u00f6r\u00fc\u015f\u00fcr\u00fcz.<\/p>\n\n\n\n

                                                                                                                                         \u0130skenderun\/Haziran 2025<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

 Mustafa Kemal Ers\u00f6z  San\u0131r\u0131m ilk defa doksanl\u0131 y\u0131llar\u0131n ortalar\u0131na do\u011fru Parliament Sinema Kul\u00fcb\u00fc\u2019n\u00fcn sundu\u011fu Pazar Gecesi Filmleri ku\u015fa\u011f\u0131nda izledi\u011fimden bu yana Gelece\u011fe D\u00f6n\u00fc\u015f filmini \u00e7ok seviyorum. \u00d6yle filmlere dair geli\u015fkin bir gustom oldu\u011fundan ya da filmlere dair g\u00f6r\u00fc\u015fleri olan bir sinefil oldu\u011fumdan de\u011fil daha basit bir nedenle hayat\u0131m boyunca beni takip etti\u011fini fark etti\u011fim \u00e7ocuk\u00e7a […]<\/p>\n","protected":false},"author":1,"featured_media":940,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"tdm_status":"","tdm_grid_status":"","footnotes":""},"categories":[6,7],"tags":[],"class_list":{"0":"post-937","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-kultur","8":"category-siyaset"},"yoast_head":"\nEdward Said\u2019i Hat\u0131rlamak - 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